搜尋:use 在 繪畫 分類當中

符合的藏品

名畫琳瑯 冊 元黃公望雨巖仙觀

名畫琳瑯 冊 元黃公望雨巖仙觀

; there is little use of ink dabs. The artist used light color and ink washes to complete the painting.....more

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名畫琳瑯 冊 元顧安拳石新篁

名畫琳瑯 冊 元顧安拳石新篁

. A native of Huai-tung, he was gifted at calligraphy and excelled at painting bamboo. Ku An's use.....more

197/265
清王翬畫山水 軸

清王翬畫山水 軸

, so it is natural that their styles are similar to one another’s. The use of brush and ink.....more

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清張庚仿王蒙山水 軸

清張庚仿王蒙山水 軸

in the style of Wang Meng which are honest and without affectation. His use of the brush was fairly.....more

199/265
清陸白?為長松圖 軸

清陸白?為長松圖 軸

dynasty, and later went on to establish his own style. In his landscapes he liked to use thick layers.....more

200/265
清郎世寧畫魚藻 軸

清郎世寧畫魚藻 軸

; a phenomena particularly evident in the head of the large carp. The use of lead-white pigment.....more

201/265
清禹之鼎擬趙千里山水 軸

清禹之鼎擬趙千里山水 軸

landscape look like the realm of immortals. In this painting, the heavy coloration and use of gold.....more

202/265
清陳書夏日山居圖 軸

清陳書夏日山居圖 軸

Meng (1308-1385) and was able to master his ink methods. In the use of color, she introduced new.....more

203/265
宋元集繪 冊 宋馮大有太液荷風

宋元集繪 冊 宋馮大有太液荷風

also expressing the twisting and turning of leaf edges. Combined with the use of light and dark shades.....more

204/265
明花卉畫冊 冊 明金俊明梅花

明花卉畫冊 冊 明金俊明梅花

poses. The use of brush and ink is elegant and loftily archaic, thus fully expressing the extraordinary.....more

205/265
明人便面集錦 冊 明朱朗秋柳鳴蟬

明人便面集錦 冊 明朱朗秋柳鳴...

willow leaves and a mantis raising its foreleg to catch it. His use of the brush is blunt. Although.....more

206/265
元黃公望洞庭奇峰 軸

元黃公望洞庭奇峰 軸

, differs from the one most often seen. Thus, though the composition and use of brush and ink.....more

207/265
明劉炤蘆雁圖 軸

明劉炤蘆雁圖 軸

was Lin Liang (fl. latter half of 15thc.). His use of brush and ink was free and unrestrained.....more

208/265
宋四家墨寶 冊 宋米芾致彥和國士尺牘 

宋四家墨寶 冊 宋米芾致彥和國...

and reveals the use of a centered tip. The twists and turns are powerful and the tip sharp when exposed.....more

209/265
元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

follow in the Chao Ling-jang (fl. ca. 1070-1100) style and the use of blue-and-green goes back to the T.....more

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