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符合的藏品

明仇英蕉陰結夏 軸

明仇英蕉陰結夏 軸

and rocks in this work. One holds a chinese guitar while the other hold a lute. The vigorous use.....more

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明呂紀雪景翎毛 軸

明呂紀雪景翎毛 軸

of atmosphere in this scenery, allowing the viewer to feel the cold of a winter's day. The use.....more

227/265
明文徵明朱竹 軸

明文徵明朱竹 軸

and elegant, and it reveals the use of diagonal downward strokes that are often found in calligraphy.....more

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明文伯仁松岡竹塢圖 軸

明文伯仁松岡竹塢圖 軸

. Streams flow deep in the mountains, while forests rise in close layers. The use of brush and ink.....more

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明夏昶清風高節圖 軸

明夏昶清風高節圖 軸

with vigorous and robust growths of leaves. The use of brush and ink is pure, ethereal, and unsullied.....more

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明馬軾春塢村居圖 軸

明馬軾春塢村居圖 軸

create strong contrasts. There is a natural and unrestrained quality. This kind of interesting use.....more

231/265
明林良秋鷹 軸

明林良秋鷹 軸

. The sentiment and use of brush and ink are both quite dynamic, especially the leaping brush method.....more

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明文徵明江南春圖 軸

明文徵明江南春圖 軸

strokes. However, evidence from the mountains and trees everywhere suggests a sense of spring. The use.....more

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明沈周江山清遠圖 卷

明沈周江山清遠圖 卷

for variety and contrast. However, since this is a copy by Shen, his use of brush and ink here.....more

234/265
明邊文進胎仙圖 卷

明邊文進胎仙圖 卷

),第四冊,頁40&*故宮書畫圖錄,第十八冊,頁99-104&* 邊文進,生卒年不詳,福建沙縣人。字景昭,永樂(西元一四0三-一四二四年)間召至京師,授武英殿待詔,宣德(西元一四二六-一四三五年)間仍供.....more

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明陳洪綬喬松仙壽圖 軸

明陳洪綬喬松仙壽圖 軸

landscapes, flowers and birds, and grasses and insects. Ch’en’s idiosyncratic approach reveals the use.....more

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清艾啟蒙畫風猩 軸

清艾啟蒙畫風猩 軸

and elegant and the use of color displays beautiful restraint. The painting is similar in places.....more

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清傳綮寫生 冊 芙蓉

清傳綮寫生 冊 芙蓉

still being conveying the idea. Throughout the use of brush and ink appears the influence.....more

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明陸治丹楓秋色 卷

明陸治丹楓秋色 卷

. The result is an utmost naturalness to the use of brush and ink, as seen in this work. Here.....more

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清石谿茂林秋樹 卷

清石谿茂林秋樹 卷

üan masters Wang Meng and Huang Kung-wang. However, his use of a blunt brush.....more

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