搜尋:use 在 繪畫 分類當中

符合的藏品

集古名繪 冊 宋王詵傑閣媐春

集古名繪 冊 宋王詵傑閣媐春

below a lady strolls, followed by a servant girl .The figures are tall and slender. The use of a ruler.....more

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民國余紹宋畫墨竹 軸

民國余紹宋畫墨竹 軸

, pines, and bamboo as well as an occasional landscape. He often liked to use very dry ink, giving.....more

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清人菩提葉羅漢 冊

清人菩提葉羅漢 冊

plant this tree or use its leaves for writing texts or painting-as seen here. Each leaf here takes.....more

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清石濤黃山潔空金碧圖 軸

清石濤黃山潔空金碧圖 軸

(in Anhui), Jinling, and Yangzhou. His brushwork was unbridled and natural, his use of ink often.....more

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宋趙伯駒漢宮圖 軸

宋趙伯駒漢宮圖 軸

. The application of color is particularly handsome, and the use of the brush is fine yet forceful.....more

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元倪瓚雨後空林 軸

元倪瓚雨後空林 軸

not often use colors, giving his works a sense of pure and elegant harmony. This landscape painting.....more

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元吳鎮秋江漁隱 軸

元吳鎮秋江漁隱 軸

to render the forms. The artist has combined the forceful use of the brush with thick layers of semi.....more

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五代後蜀黃筌勘書圖 軸

五代後蜀黃筌勘書圖 軸

by Shen Chou and Tung Ch'i-ch'ang. However, based on the use of brush and ink, it appears to date.....more

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唐楊昇畫山水 卷

唐楊昇畫山水 卷

" attributed to Zhang Sengyu (fl. 1st half of 6th c.) in the Museum collection: both use archaic.....more

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宋魯宗貴春韶鳴喜 軸

宋魯宗貴春韶鳴喜 軸

are in the style of Pien Wen-chin and Lu Chi, While the use of color for the birds and flowers is even closer.....more

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明唐寅畫嫦娥奔月 軸

明唐寅畫嫦娥奔月 軸

squarish folds which are suggested by the use of very light green and red. Judging from the style.....more

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明張宏棲霞山圖 軸

明張宏棲霞山圖 軸

and unstudied; his use of ink is rich and moist. The scenery of this landscape.....more

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明周文靖雪夜訪戴 軸

明周文靖雪夜訪戴 軸

around and went home. The brush was wielded with archaic and pungent strength, while the use of washes.....more

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明文伯仁五月江深圖 軸

明文伯仁五月江深圖 軸

forest in the foreground. The influence of Wen Cheng-ming is evident in the use of blue.....more

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明吳偉仙蹤侶鶴圖 軸

明吳偉仙蹤侶鶴圖 軸

style was derived from his near contemporary, Tai Chin. The use of ‘broken’ brush strokes and black.....more

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