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符合的藏品

元王蒙具區林屋 軸

元王蒙具區林屋 軸

were washed with ochre and red for a sense of autumn. The use of brush and color add spirit to the work.....more

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清黃慎王旼序榮集繪 冊 白梅茶花

清黃慎王旼序榮集繪 冊 白梅茶...

into the picture plane from the right. The use of color is very consistent and has an air of archaic.....more

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清石濤寫竹通景十二屏 軸

清石濤寫竹通景十二屏 軸

, and Yangchow. He excelled at landscapes, flowers, and orchids and bamboo. In neither brushwork, use.....more

213/265
清郎世寧十駿犬霜花鷂 軸

清郎世寧十駿犬霜花鷂 軸

size horses and dogs. His distinctive style made use of Chinese tools and materials with western.....more

214/265
元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

follow in the Chao Ling-jang (fl. ca. 1070-1100) style and the use of blue-and-green goes back to the T.....more

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元王蒙具區林屋 軸

元王蒙具區林屋 軸

were washed with ochre and red for a sense of autumn. The use of brush and color add spirit to the work.....more

216/265
宋夏珪溪山清遠 卷

宋夏珪溪山清遠 卷

designation "Ma-Hsia." This is the most important surviving work by Hsia Kuei. Hsia's use.....more

217/265
宋郭熙早春圖 軸

宋郭熙早春圖 軸

Kuo captured the essence of spring with his evanescent and atmospheric use.....more

218/265
五代南唐趙幹江行初雪圖 卷

五代南唐趙幹江行初雪圖 卷

with an upright brush, giving them a strength similar to bent steel. Chao Kan's use.....more

219/265
宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

. The handling of the brush and the use of colour in this work are very fine;especially.....more

220/265
宋人松泉磐石 軸

宋人松泉磐石 軸

in Wu Yüan-chih's Red Cliff and the use of ink wash resembles that in Li Shan's Wind.....more

221/265
宋李成寒江釣艇 軸

宋李成寒江釣艇 軸

and mountains are effervescent, yet full and voluminous. The use of the brush in describing the trees.....more

222/265
宋人寒林樓觀 軸

宋人寒林樓觀 軸

of bamboo suggest a literary gathering just after snowfall. The artist's use of the brush in depicting.....more

223/265
宋李唐江山小景 卷

宋李唐江山小景 卷

as by Li Tang, the brushwork is sharper and finer, being slightly removed from the use of brush.....more

224/265
明戴進春遊晚歸 軸

明戴進春遊晚歸 軸

院 故宮書畫錄﹝卷五﹞,第三冊,頁294&*故宮書畫圖錄,第六冊,頁99-100&*Depicted here is an expanse of water with a small path.....more

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