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符合的藏品

清徐揚畫載梅圖 軸

清徐揚畫載梅圖 軸

-hsien, Kiangsu, was also known as Yün-t’ing. In painting landscapes, Hsü Yang’s use.....more

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宋文同墨竹 軸

宋文同墨竹 軸

for the grace and resilience of the Chinese scholar. The use of rich contrast in ink tones.....more

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元陸廣五瑞圖 軸

元陸廣五瑞圖 軸

quality and his use of ink is extraordinary. This painting depicts "ling-chih" (a species of fungus.....more

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元趙原溪亭秋色 軸

元趙原溪亭秋色 軸

of the earthen and mountain forms, there is very little use of wash. The result is a natural and easy.....more

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元人寒林圖 軸

元人寒林圖 軸

there are no seals or signature on the painting, the use of brush and ink is close to the style.....more

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五代南唐巨然層巖叢樹圖 軸

五代南唐巨然層巖叢樹圖 軸

國立故宮博物院 石渠寶笈初編(養心殿),上冊,頁642 &故宮書畫錄(卷五),第三冊,頁26 &故宮書畫圖錄,第一冊,頁99-100&巨然(活動於西元十世紀後期),江寧(今南.....more

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明王紱獨樹圖 軸

明王紱獨樹圖 軸

. The composition is simple, the brushwork sturdy with the brushtip solidly centered. Such use of brush.....more

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名畫琳瑯 冊 元朱德潤松岡雲瀑

名畫琳瑯 冊 元朱德潤松岡雲瀑

a waterfall, clouds and towering peaks. The artist's use of the brush has the strength of a sharp.....more

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墨林拔萃 冊 元曹知白遠山?樹圖

墨林拔萃 冊 元曹知白遠山?樹...

the scroll, the use of ink is refined and light. The artist used dry, scumbled brushwork.....more

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清陳書歲朝麗景 軸

清陳書歲朝麗景 軸

attention to the structure of forms. Both the use of color and brushwork.....more

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紈扇畫冊 冊 元盛懋秋溪釣艇

紈扇畫冊 冊 元盛懋秋溪釣艇

composition a sense of infinite space. The use of brush and ink is strong yet refined, being.....more

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元人雜書 卷 楊載書水龍吟

元人雜書 卷 楊載書水龍吟

an equal grace. The brushwork of this work is vigorous and sharp, with evidence of an occasional use.....more

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宋崔白秋浦蓉賓 軸

宋崔白秋浦蓉賓 軸

, A master of the brush, he also did not use a ruler when drawing straight lines. 本幅 149.1x95.5公分、全幅.....more

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清張宗蒼竹亭觀瀑圖 軸

清張宗蒼竹亭觀瀑圖 軸

, and then to use the ‘burnt ink’ technique to add texture strokes. These were done with strong strokes.....more

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清張鵬翀畫西山秋眺 軸

清張鵬翀畫西山秋眺 軸

from a majestic peak with layers of distant mountains in the background. The use of brush and colors.....more

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