名畫琳瑯 冊 元黃公望雨巖仙觀
推薦分享
資源連結
連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 故畫001292N000000005
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 黃公望
- 主題與關鍵字：
- 雨景 溪澗、湍泉 雲 松 房舍 寺廟
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 50.9x28.6公分、對幅 50.9x28.6 公分、全幅 71.5x78公分
- 關聯：
- 石渠寶笈續編（乾清宮），第一冊，頁504&*故宮書畫錄（卷六），第四冊，頁197&*黃公望（西元一二六八至一三五四年）富陽人。字子久，號一峰，又號大痴道人。晚號井西道人。山水以董源為宗，而能化身立法，為元四大家之云冠。 此幀撮筆觸紙，如引錐畫沙，無處不圓渾，亦無處不澀辣也。皴紋極少，以澹色和墨烘染而成，故蒼老中而有靜穆之韻。禿筆熟紙，與富春山居圖成另一面目，或即「皴紋極少，筆尤簡遠」之類歟。本幅選自「名畫琳瑯」冊。&*Huang Kung-wang was a native of Fu-yang. His style name was Tzu-chiu; his sobriquets were I-feng, Ta-ch'ih tao-jen and Ching-hsi tao-jen. In landscape he followed the Tung Yüan school, eventually establishing his own style. Huang Kung-wang is included among the Four Masters of the Yüan Dynasty. In this painting, the brush line is round and tough; there is little use of ink dabs. The artist used light color and ink washes to complete the painting. The painting style differs from that found in the well-known "Dwelling in the Fu-ch'un Mountains" handscroll.&*1.邱士華，〈傳元黃公望雨巖仙觀〉，收入何傳馨主編，《山水合璧：黃公望與富春山居圖特展》（臺北：國立故宮博物院，2011年五月初版一刷），頁361-362。&*畫幅近景雲氣蒸騰，一片水色煙村之景，山腰林間宮觀處，亦為霧氣環繞，於漫汗濕氣中，遠景雙峰兀立。此幀撮筆觸紙，圓渾澀辣，並以淡墨暈染，蒼老中兼有靜穆之韻，兼具米氏與方從義雲山之風格意趣。 清高宗與其臣工題詩，均將此作視為黃公望之作。然字跡、畫蹟皆與黃公望作品不符，而與吳門畫家謝時臣（1487-1567）相近。原本或非作偽，而遭後人竄改為黃公望作品。 (20110609)&*The foreground of this painting features rising clouds and mists that reveal a hazy village scene. All the way back to the temple buildings are forested foothills, also enveloped in a foggy atmosphere, as two peaks stand out in the background of this moist and humid scene. Dabbed with a stubby brush on the paper, the mellow yet abrupt features are complemented by light haloes of ink. With a feeling of serenity in the hoariness, it combines the Mi Family style with that of Fang Congyi. Both the poems of the Qing emperor Gaozong (Qianlong) and his officials here consider this to be a work by Huang Gongwang. The style of calligraphy and painting, however, do not accord with his other works, appearing closer instead to that of the Wu School painter Xie Shichen (1487-1567). The original, probably not done as a forgery, was falsified by a later hand to appear as if to be a work by Huang Gongwang. (20110609)
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
