清張庚仿王蒙山水 軸
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- 資料識別：
- 故畫000774N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 張庚
- 主題與關鍵字：
- 茅草屋 松 瀑布 高士（士人、隱士） 江河、湖海
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 清世宗雍正十年（1732）
- 格式：
- 本幅 82x52.2公分、全幅 63公分
- 關聯：
- 石渠寶笈三編（延春閣），第五冊，頁2258&*故宮書畫錄（卷五），第三冊，頁560&*故宮書畫圖錄，第十一冊，頁211-212&* 張庚，原名燾，字溥三，後改今名，再改字浦山。生在聖祖康熙二十四（公元一六八五）年，死在高宗乾隆二十五（西元一七六０）年，浙江秀水人。早年即勤奮於詩和古文，復用功於畫和書法，因此精通畫理，著作有浦山論畫，國朝畫徵錄等書。 他的山水畫是學自同鄉陳書，而且盡得陳畫神貌，陳書學的是元王蒙，所以，他的畫中也是一派天真爛漫的王蒙景致，不過筆墨較為疎朗恣肆，意趣全在有法無法之間。可惜他的作品流傳後世極少。本院收藏謹此一幅。 &*Landscape after Wang Meng Chang Keng Ch’ing dynasty Originally his personal name was T’ao and his style name or tzu was P’u-san. Later he changed his name to Keng and his tzu to P’u-shan. He was born in 1685, the twenty-fourth year of the K’ang-hsi period; died in 1760, the twenty-fifth year of the Ch’ien-lung period; and was a native of Hsui-shui, Chekiang. In his youth he diligently studied poetry and classic literature, as well as painting and calligraphy. Thus he was well-versed in the principles of painting and his writings include the P’u-shan lun-hua and the Kuo-ch’ao-hua-cheng lu. In landscape painting he followed the lady painter Ch’en Shu, who was also a native of Hsui-shui, and was able to attain the spirit and appearance of her works. Ch’en Shu studied the works of the Yüan dynasty master Wang Meng, and among Chang Keng’s works are also to be found landscapes in the style of Wang Meng which are honest and without affectation. His use of the brush was fairly clear and without restraint, being somewhere between method and non-method. It is unfortunate that so few of his works have been preserved. Our collection possesses only this one scroll.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
