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符合的藏品

清王原祁仿黃公望山水 軸

清王原祁仿黃公望山水 軸

is small, it is extremely fine. Wang Yüan-ch’i’s simple yet beautiful use of the brush surpasses.....more

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清賈全畫詠梅圖 軸

清賈全畫詠梅圖 軸

style approached that of Chin T’ing-piao, particularly in the use of the “small axe stroke” to render.....more

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清張若澄畫葛洪山居圖 軸

清張若澄畫葛洪山居圖 軸

volume by the use of rich, fine texture strokes in the manner of Wang Meng. The use of color.....more

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清花卉畫冊 冊 清趙之琛梅竹水仙

清花卉畫冊 冊 清趙之琛梅竹水...

in these terms: “The brush and ink are light and free, the use of color clear and elegant; the effect.....more

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元人舊蹟 冊 朱德潤致吳季實教諭尺牘

元人舊蹟 冊 朱德潤致吳季實教...

-shih in Soochow. The style is elegant and pure. The use of the brush and the structure.....more

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清王原祁倣黃公望山水 軸

清王原祁倣黃公望山水 軸

貫。曠遠而雄偉。畫筆皴筆雜沓。倘再精簡。或更不同。五十五歲作。&*The artist’s use of the brush in the foreground trees is extremely.....more

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宋范寬秋林飛瀑 軸

宋范寬秋林飛瀑 軸

manner. Fan K’uan’s painting style was extremely individualistic; his brushwork and use of ink were.....more

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民國蕭俊賢青綠山水圖 軸

民國蕭俊賢青綠山水圖 軸

colors, followed by monochrome ink, and also excelled at the use of blue and green pigments.....more

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明丁雲圖羅漢 冊

明丁雲圖羅漢 冊

, the composition and use of the brush and ink in his paintings all resemble the early style of Ting Y.....more

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明文嘉巖瀑松濤圖 軸

明文嘉巖瀑松濤圖 軸

, Wen Chia’s landscape paintings are exceptional with their refined and elegant use of brush and ink.....more

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明張宏畫山水 軸

明張宏畫山水 軸

an archaic mode with excellent use of moist ink. He was also skilled in the realistic portrayal.....more

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清吳歷倣吳鎮山水 軸

清吳歷倣吳鎮山水 軸

the style of Wu Chen (1280-1354). His use of ink is very profound and his brushwork sparse.....more

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明文徵明沈周唐寅仇英便面合裝冊 冊 明唐寅水墨山水

明文徵明沈周唐寅仇英便面合裝冊...

a servant boy carrying books is crossing a stone bridge. The use of brush and ink in the painting.....more

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元人鳩雀先春圖 軸

元人鳩雀先春圖 軸

. The use of mineral colors and white is also extremely deft. 本幅 150.9x31.3公分、全幅 53.2公分 類型:繪畫 型式:靜態圖.....more

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元張舜咨畫樹石 軸

元張舜咨畫樹石 軸

-tzu's use of the brush approaches that of Chao Meng-fu (1245-1322). 本幅 112.5x35公分、全幅 62公分 元順帝至正九年.....more

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