搜尋:style 在 繪畫 分類當中

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清張若澄笠亭嵐靄 軸

清張若澄笠亭嵐靄 軸

(1722-1770) Ch’ing Dynasty (1644-1911) A native of T’ung-ch’eng, Anhui, Chanf Jo-ch’eng had style names.....more

856/1620
清張若澄繪高宗御書范成大打灰堆詞 軸

清張若澄繪高宗御書范成大打灰堆...

was a native of T’ung-ch’eng in Anhui, had the style names Jao-chien and Lien-hsüeh. Though he.....more

857/1620
清錢載畫墨梅御題 軸

清錢載畫墨梅御題 軸

and died 1793. His style name was K’un-i and his sobriquets Tuo-shih, P’ao-tsun, and Wan-sung Chü.....more

858/1620
清金廷標畫碧桃 軸

清金廷標畫碧桃 軸

境之感。 &* Chin T’ing-piao was a native of Wu-ch’eng in chekiang. His tzu (style name) was Shih-ku’ei.....more

859/1620
清陳書畫荷花 軸

清陳書畫荷花 軸

on a lotus pod below. Ch'en Shu mentioned that she had painted in the style of the Ming artist Ch'en Ch'un.....more

860/1620
清錢維城畫梅茶水仙 軸

清錢維城畫梅茶水仙 軸

in the fine and delicate painting style of Tsou I-kuei (1688-1772) combined with an emphasis.....more

861/1620
清王武雪蕉圖 軸

清王武雪蕉圖 軸

卻喜其超理入神,因此後人時有雪蕉之作。 &* Wang Wu was a native of Soochow in Kiangsu province. His style name was Ch.....more

862/1620
清余省百蝶圖 卷

清余省百蝶圖 卷

,更以枯筆繪出蝶翅鱗粉之狀,極精工之能事。 &* Yu Sheng, style name Ts’eng-san, sobriquet Lu-ing, was a native of Ch’ang.....more

863/1620
清蕭晨豐年瑞雪 軸

清蕭晨豐年瑞雪 軸

叢竹人家,雪壓垂柳。木橋橫江,二人緩緩行來,一持傘,一戴帽披蓑,皆弓身前進,不甚瑟縮,顯見濃濃寒意。 &* Hsiao Ch’en (style name Ling-hsi and sobriquet.....more

864/1620
清惲壽平燕喜魚樂 軸

清惲壽平燕喜魚樂 軸

” wash method in his repertoire and creating a new style, he became a leader in the genre. Among.....more

865/1620
明董其昌書白羽扇賦 軸

明董其昌書白羽扇賦 軸

for an almost unbounded style. 本幅 136.5x60.2公分、全幅 83公分 明思宗崇禎五年(1632) 類型:書法 型式:文字 董其昌 數位化執行單位:國立故宮博物院.....more

866/1620
清王鐸山水 軸

清王鐸山水 軸

,筆快速而健勁,墨韻濃潤,結構雖簡,蓋游神涉筆,而不失真意。 &* Wang To, tzu (style name) Chűeh-shih, was a native of Meng-chin.....more

867/1620
清董邦達倣王蒙萬疊芙蓉 軸

清董邦達倣王蒙萬疊芙蓉 軸

province, his style-name was Fu-ts’un and his sobriquet tung-shan. He took his chin-shih metropolitan.....more

868/1620
清張成龍仿張僧繇山水 軸

清張成龍仿張僧繇山水 軸

. Chang Cheng-lung (style-name Pai-yüu) was from K’ai-feng, Honan. He excelled at landscapes.....more

869/1620
清金廷標?泥圖 軸

清金廷標?泥圖 軸

’ien-lung emperor inscribed a line of verse lauding Chin’s use of symbolism. The style.....more

870/1620

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