搜尋:style 在 繪畫 分類當中

符合的藏品

清黃鉞繪時華紀瑞 軸

清黃鉞繪時華紀瑞 軸

province, Huang Yüeh, tzu (style name) Tso-t’ien and Tao-chün, received the chin-shih.....more

931/1620
明吳彬歲華紀勝圖 冊 浴佛

明吳彬歲華紀勝圖 冊 浴佛

surrealistic style. &*  吳彬,萬曆間(西元一五七三至一六一九年)以書畫聞名於世。福建莆田人,流寓金陵(今南京)。字文仲,所繪佛像人物,形狀奇特,不同於前人,自成一家。山水畫布置亦極新奇.....more

932/1620
清花卉畫冊 冊 清江介花卉

清花卉畫冊 冊 清江介花卉

the name Jian and went by the style name Shiru. In studying painting, he first learned how to do figures.....more

933/1620
元吳鎮墨竹譜 冊

元吳鎮墨竹譜 冊

。冊首隸書「萬玉藂」三字,王一鵬所書,王為明弘治間貢生。&*Wu Chen (style name; Chung-kuei, sobriquets; Mei-hua tao-jen [The Plum.....more

934/1620
元吳鎮墨竹譜 冊

元吳鎮墨竹譜 冊

。冊首隸書「萬玉藂」三字,王一鵬所書,王為明弘治間貢生。&*Wu Chen (style name; Chung-kuei, sobriquets; Mei-hua tao-jen [The Plum.....more

935/1620
元黃公望九珠峰翠圖 軸

元黃公望九珠峰翠圖 軸

the style of Tung Yüan (ca. 950) and Chü-jan (ca. 975), he was able.....more

936/1620
明文伯仁丹臺春曉圖 卷

明文伯仁丹臺春曉圖 卷

style name was Te-ch’eng, and his sobriquets were Wu-feng, Pao-sheng, and She-shan lao-nung. Wen.....more

937/1620
清王翬夏山?雨圖 卷

清王翬夏山?雨圖 卷

, and of the Northern and Southern schools of painting. The most significant aspect of Wang’s style.....more

938/1620
唐褚遂良書倪寬傳贊 卷

唐褚遂良書倪寬傳贊 卷

認為是褚遂良晚年作品。近代學者則以其文中之避諱用字習慣,與唐代情況不類,而書體之用筆亦與褚書有所出入,結構較似歐體,認為是宋人臨寫。(20110913)&*Chu Suiliang (style.....more

939/1620
唐搨顏真卿麻姑仙壇記 卷

唐搨顏真卿麻姑仙壇記 卷

, the brushwork reveals the heavy and solid centered strokes of Yan Zhenqing’s style, which critics.....more

940/1620
宋拓定武褉帖趙氏藏本 卷

宋拓定武褉帖趙氏藏本 卷

version here, however, has weaker brushwork than seen in Zhao’s style, suggesting an imitation by a later.....more

941/1620
明董其昌雜書 冊 臨吳琚

明董其昌雜書 冊 臨吳琚

of Hua-t’ing, Kiangsu province. His style name was Hsüan-tsai and he was known by the sobriquet.....more

942/1620
宋黃庭堅書高松賦 卷

宋黃庭堅書高松賦 卷

of Huang’s style, the characters slightly revealing the elongated vertical features of his calligraphy.....more

943/1620
明董其昌臨宋四大家書 卷

明董其昌臨宋四大家書 卷

'ing, Kiangsu province. His style name was Hsüan-tsai and he was known by the sobriquet Ssu-pai.....more

944/1620
清王鴻緒臨米芾書蘭亭序 卷

清王鴻緒臨米芾書蘭亭序 卷

and lines are loose and already in the style associated with Ming and Ch'ing calligraphers. The two Mi Fu.....more

945/1620

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