搜尋:style 在 繪畫 分類當中

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明董其昌臨顏真卿書送蔡明遠序 冊

明董其昌臨顏真卿書送蔡明遠序 ...

國立故宮博物院 石渠寶笈三編(延春閣),第五冊,頁2046&*故宮書畫錄(卷三),第一冊,頁99-100&*故宮歷代法書全集,第二十四冊,頁30-47、143&*董其昌(西元一五五五-一六三六年.....more

706/1620
元明書翰第四十六冊 冊 徐渭書杜甫秋興八首

元明書翰第四十六冊 冊 徐渭書...

is expressed through his unrestrained “sketching ideas” style done in ink. In calligraphy, he followed.....more

707/1620
明人便面畫冊(一) 冊 明文伯仁青溪放棹

明人便面畫冊(一) 冊 明文伯...

refined, taking the comparatively dense forests of leaves in the Mi Style to make them more elegant.....more

708/1620
唐袞公之頌碑 軸

唐袞公之頌碑 軸

reign (712-756). The stele avoids the taboo character of Emperor Gaozu, changing Yan’s style name.....more

709/1620
隋陳叔毅修孔子廟碑 軸

隋陳叔毅修孔子廟碑 軸

) is in clerical script with the head in seal script. Chen Shuyi (style name Ziyan), native to Xuchang.....more

710/1620
宋黃庭堅書千文 卷

宋黃庭堅書千文 卷

is somewhat unrelated to Huang Tingjian, being closer instead to the style of the Ming dynasty.....more

711/1620
清黃鼎雲棧八景 冊

清黃鼎雲棧八景 冊

style. The peaks and ridges are linked by dangerous bridges and treacherous paths plied by carts.....more

712/1620
清陳書雜畫 冊 吉祥花

清陳書雜畫 冊 吉祥花

and style. 本幅 23.9x36.8公分、全幅 24.4x37.2公分 類型:繪畫 型式:靜態圖像 陳書 數位化執行單位:國立故宮博物院 清陳書雜畫 冊 吉祥花 故畫.....more

713/1620
宋元集繪 冊 宋牟仲甫松芝群鹿

宋元集繪 冊 宋牟仲甫松芝群鹿

of gibbons, monkeys, and deer were similar in style to those of I Yüan-chi, and he was especially.....more

714/1620
清錢維城畫淑景迎韶 卷

清錢維城畫淑景迎韶 卷

characteristic of the court academic style influenced by the famous flower painter Tsou I-kuei. 本幅 40x563公分.....more

715/1620
名人畫扇 (戊) 冊 明陳嘉言枇杷松鼠

名人畫扇 (戊) 冊 明陳嘉言枇...

,而枝葉間啃食枇杷的松鼠,纖毛畢現毛絨可愛。幅上寫意的果實、絲絲工細的毫毛,能如此精妙的配合,正是畫者獨到之處。本幅選自「名人畫扇」冊。&*Ch’en Chia-yen (style name K.....more

716/1620
名人便面畫冊 冊 清曹松年蕭翼賺蘭亭

名人便面畫冊 冊 清曹松年蕭翼...

of Kiangsu who studied the style of Chang Hung. This painting illustrates the story of Hsiao I, a official.....more

717/1620
名人書畫扇(壬) 冊 明倪瑛坐看洗馬

名人書畫扇(壬) 冊 明倪瑛坐...

竹齋竹譜作画。   一人坐松樹下,觀圉人洗馬。畫法從周臣、唐寅一路而來,筆意瀟洒,亦有情趣。 &* Ni Ying, style name Po-yuan, was a native of Kun.....more

718/1620
明人畫扇(元) 冊 明文徵明山水

明人畫扇(元) 冊 明文徵明山...

. Studying painting from Shen Chou, he developed his own style and became a dominant force in late Ming.....more

719/1620
中嶽圖 冊

中嶽圖 冊

recording their location and appearance. In this unsigned work, the style is subdued and the coloring.....more

720/1620

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