明文伯仁五月江深圖 軸
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- 資料識別：
- 故畫000532N000000000
- 資料類型：
- 繪畫
- 著作者：
- 文伯仁
- 主題與關鍵字：
- 夏景 瀑布 蘆葦 房舍 江河、湖海 高士（士人、隱士） 溪澗、湍泉
- 日期：
- TIME STAMP:04-4月 -06
- 格式：
- 本幅 110.3x45.3公分&全幅 74公分
- 關聯：
- 石渠寶笈初編﹝御書房﹞，下冊，頁1130&故宮書畫錄﹝卷五﹞，第三冊，頁396-397&故宮書畫圖錄，第八冊，頁89-90&文伯仁，字德承，號五峰，江蘇蘇州人。家學淵源，從小在書香環境中成長，除傳緒叔父文徵明畫學之外，同時進一步探求宋元各家山水畫法。從趙伯駒、趙孟頫，到黃公望、王蒙等人，多方面學習取益，因此能寫蒼鬱渾厚之景，也能秀逸清雅，不為一家一派所拘限。 此幅畫題出自杜甫詩句：「百年地僻柴門迥，五月江深草閣寒」，雖然從文徵明典雅的小青綠出發，卻用茂密的皴法和苔點，來傳達山林鬱鬱葱葱的景象，頗近於王蒙的筆法。構圖虛實的安排，參考宋人略加變化，整體格局兼得山勢雄偉與江天浩瀚之感。明代中期蘇州地區山水畫的發展，取向融會綜合，文伯仁此作也見融會的功力，從傳統中掌握到自己的方向。（王競雄）&文伯仁（西元一五○二－一五七五年）字德承，號五峰，又號葆生、攝山老農，長洲人（江蘇蘇州）。徵明從子。善畫山水、人物，效王蒙，筆力清勁，巖巒鬱茂。享年七十四。 此幅詩意出自杜甫「五月江深草閣寒」詩意。描寫五月的江亭山景，層巒鬱茂，隱約可聽到淙淙泉水聲，一人獨坐亭中遠眺江景。文伯仁採用了對角線構圖來處理整幅畫面，雖然重心在山林部分，但江水也為畫面增添了動感。全幅以青綠設色，頗受文徵明的影響。 &Summer Panorama Wen Po-jen (1502-1575) Ming Dynasty Wen Po-jen’s style name was Te-ch’eng, and his sobriquets were Wu-feng, Pao-sheng, and She-shan lao-nung. A nephew of the artist Wen Cheng-ming, he was a native of Soochow in Kiangsu. He excelled at painting landscapes and figures. The theme and title of this painting is derived from a line of poetry by Tu Fu (712-770) which reads, “In the panorama of summer, the grasses and pavilions are cool.” Modeled after the style of the Yüan master Wang Meng (1308-1385), Wen Po-jen’s brushwork is strong, and his luxuriant landscapes are filled with peaks, crags, rocks, and caverns. In this painting depicting a river retreat in summer mountains, peaks with dense foliage rise layer after layer. The gurgling of a brook deep in the woods can almost be heard. A lone gentleman in a pavilion looks far into the distant river scenery. Using diagonals to organize the composition, Wen Po-jen emphasizes the effect of the vast river panorama which complements the central element--the mountain forest in the foreground. The influence of Wen Cheng-ming is evident in the use of blue-and-green.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
