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符合的藏品

明吳彬畫楞嚴廿五圓通佛像 冊 持提菩薩

明吳彬畫楞嚴廿五圓通佛像 冊 ...

. 1591-1626) Ming Dynasty Wu Pin, style name Wen-chung, sobriquet Chih-hsien, was a native of P'u-t'ien.....more

1231/3067
明吳彬畫楞嚴廿五圓通佛像 冊 觀音

明吳彬畫楞嚴廿五圓通佛像 冊 ...

below to add quite a bit of distortion, a feature of the style for which Wu Pin was known.&*1.李玉珉,〈明吳彬大.....more

1232/3067
宋四家法書 卷 宋黃庭堅致明叔同年尺牘

宋四家法書 卷 宋黃庭堅致明叔...

國立故宮博物院 石渠寶笈續編(養心殿),第二冊,頁1102-1103 &*故宮書畫錄(卷一),第一冊,頁141-144 &*Huang T'ing-chien (style name Lu-chih.....more

1233/3067
明祝允明臨黃庭經 卷

明祝允明臨黃庭經 卷

妥,可為楷書學習之範本。(20091015) &* Zhu Yunming (style name Xizhe; sobriquets Zhishan, Zhizhisheng) was native.....more

1234/3067
晉王羲之快雪時晴帖 冊

晉王羲之快雪時晴帖 冊

鈎摹善本,雙鈎精細,淡墨填廓,能得原蹟生動活潑之筆意,觚稜轉折,備見鋒芒。&Wang Hsi-chih (style name I-shao) was a member.....more

1235/3067
元趙孟頫七札 冊

元趙孟頫七札 冊

-747) calligraphy and his own natrual gifts, Chao Meng-fu created his own calligraphic style.....more

1236/3067
元趙孟頫醉菊圖 卷

元趙孟頫醉菊圖 卷

at the end here. Chao was a leading and influential literati artist, but the style here is different from.....more

1237/3067
明侯懋功倣元人筆意 軸

明侯懋功倣元人筆意 軸

Soochow); his birth and death dates are unknown. His style name was yen-shang and his sobriquet.....more

1238/3067
明劉原起靈巖積雪圖 軸

明劉原起靈巖積雪圖 軸

, he studied the landscape style of Ch’ien Ku and also did flowers. Mt. Ling-yen is located.....more

1239/3067
明關思秋林聽泉 軸

明關思秋林聽泉 軸

Ssu was a native of Wu-ch’eng, Chekiang. His style name was Ho-ssu; his sobriquets were Hsü.....more

1240/3067
明項聖謨山水小景 軸

明項聖謨山水小景 軸

to include the styles from the Sung and Yüan, developing a distinctive style and a fine sense.....more

1241/3067
清王翬千巖萬壑圖 軸

清王翬千巖萬壑圖 軸

厚潤,是石谷佳作。畫時年六十二歲。 &*Wang Hui was a native of Ch’ang-shu, Kiangsu. His style name was Shih-ku and his.....more

1242/3067
清王鑑倣趙孟頫山水 軸

清王鑑倣趙孟頫山水 軸

。 &*Wang Chien (style name, Yüan-chao; sobriquet, Hsiang-pi) called himself Jan-hsiang an-chu.....more

1243/3067
清王翬畫石磴林泉 軸

清王翬畫石磴林泉 軸

皴紋,有的如范寬之「雨點皴」,有的如「斧劈皴」,再加上枯墨的皴擦,更具有方硬厚重之意。 &* Wang Hui, tzu (style name) Shih-ku, hao(sobriquet.....more

1244/3067
清吳歷梅花山館 軸

清吳歷梅花山館 軸

white. According to Wu Li’s inscription, the work is in the style of the 14th-century artist Chao Meng.....more

1245/3067