搜尋:style

符合的藏品

元王蒙秋林萬壑圖 軸

元王蒙秋林萬壑圖 軸

(modern Huzhou, Zhejiang), was a grandson of Zhao Mengfu. His painting style followed those of Dong.....more

1171/3067
元柯九思谿亭山色圖 軸

元柯九思谿亭山色圖 軸

種渾樸古拙的韻味。&*K'o Chiu-ssu was a native of T'ai-chou, Chekiang. His style name was Ching-chung, his.....more

1172/3067
元劉貫道畫羅漢 軸

元劉貫道畫羅漢 軸

(西元一三五六)年款,惟劉氏活動年代似未遲至該年。&*Liu Kuan-tao (style name; Chung-hsien) was a native of Chung-shan (modern.....more

1173/3067
元王蒙會阮圖 卷

元王蒙會阮圖 卷

茅舍之中,訪者隔江待渡。全幅山石均以解索皴寫之,墨色清潤,筆意簡秀,惟較瑣碎,略少蒼深之勢。&*Wang Meng (style name Shu-ming; sobriquets Huang-ho.....more

1174/3067
元倪瓚遠岫樹石圖 軸

元倪瓚遠岫樹石圖 軸

individual style. The compositions usually contain a river, a distant peak, and a few trees and rocks.....more

1175/3067
元倪瓚?林遠岫圖 軸

元倪瓚?林遠岫圖 軸

(一三七二)年款,時七十二歲。然本幅題款,實摹自本院藏倪氏真本「容膝齊圖」。用筆亦無倪氏一代大家之健勁,顯係後代摹品。 &* Ni Tsan (style name Yüan-chen.....more

1176/3067
明錢穀畫鍾馗 軸

明錢穀畫鍾馗 軸

及,封為驅魔大神。是後,鍾馗辟鬼之說益趨流行,民間每於歲暮暨端午懸其像,以祛邪魅。錢穀此作,設色淺淡,別饒逸氣,則又與民間圖像相逕庭矣。 &* Ch’ien Ku (style name Shu.....more

1177/3067
明王諤瑞雪凝冬 軸

明王諤瑞雪凝冬 軸

-1505). Since Emperor Hsiao-tsung greatly appreciated the style of Ma Yüan of the Southern Sung.....more

1178/3067
明宋旭雲巒秋瀑圖 軸

明宋旭雲巒秋瀑圖 軸

(Chekiang province), his style name was Ch’u-yang and his sobriquet Shih-men. In his later years he became.....more

1179/3067
明陸治春山溪閣圖 軸

明陸治春山溪閣圖 軸

and green pigments. Lu Chih was a native of Soochow. His style name was Shu-p’ing and his sobriquet Pao.....more

1180/3067
明藍瑛溪山雪霽 軸

明藍瑛溪山雪霽 軸

歲,正當盛年,故筆墨精整,設色明麗,而習氣未深,是藍氏傳世之佳作。 &*Lan Ying (style name T’ien-shu and sobriquets Tieh-sou and Shih.....more

1181/3067
明張宏畫山水 軸

明張宏畫山水 軸

波動。畫家作此圖,不以長線勾,而全以點及短線來綴合,點線極富律動感,均以風向為主導,蓋著意在秋風,是以飛揚搖動之姿,刻意描繪,秋聲亦隨之而聞。 &* Chang Hung (style name Ch.....more

1182/3067
明陳洪綬花蝶寫生 軸

明陳洪綬花蝶寫生 軸

an exaggerated style in his paintings to create a sense of distortion. For this reason, he.....more

1183/3067
明項聖謨孤山放鶴圖 軸

明項聖謨孤山放鶴圖 軸

studied Wen Cheng-ming’s style and went further back to Sung and Yüan traditions, not wishing.....more

1184/3067
明呂紀春風燕喜圖 軸

明呂紀春風燕喜圖 軸

下,萱花盛開;一雙飛燕臨空掠過,岸上則止息瀆鳧一對。其中柳樹幹之皴法,以及萱花、柳葉與雙鳧之鉤畫用筆,甚得呂紀之筆意,若自神韻觀之,則仍顯得略遜一籌。 &* Lü Chi, style.....more

1185/3067