搜尋:ch 在 繪畫 分類當中

符合的藏品

清方琮石壁秋林 軸

清方琮石壁秋林 軸

a painter in the Imperial Painting Academy during the reign of the Ch’ien-ling emperor (1736-1796.....more

466/1422
清張宗蒼竹亭觀瀑圖 軸

清張宗蒼竹亭觀瀑圖 軸

’ang Ch’ing dynasty Chang Tsung-ts’ang (1686-1756) was a native of Wu-hsien in Kiangsu. He had two.....more

467/1422
清張廷彥中秋佳慶 軸

清張廷彥中秋佳慶 軸

群臣與樂工之伴隨下,賞秋月於樓台之上。畫風似以明院畫為楷模,但筆法略覺疎散。 &*The Mid-Autumn Festival Chang T’ing-yen (fl.1735-1749) Ch.....more

468/1422
清丁觀鵬丹書受戒圖 軸

清丁觀鵬丹書受戒圖 軸

Shang presenting the book of immortality. The Ch’ien-lung Emperor of the Ch'ing once wrote a poem.....more

469/1422
清張宗蒼松陰高士圖 軸

清張宗蒼松陰高士圖 軸

,兩人坐松下觀泉。畫樹石多使用枯墨皴擦,筆墨渾成,無刻畫之跡,得其蒼秀之韻。 &*Gentlemen under Pines Chang Tsung-ts’ang (1686-1756) Ch’ing.....more

470/1422
清金廷標畫?花壽石 軸

清金廷標畫?花壽石 軸

競放。四周綴以亂筆雜草,增添畫面生意。 &* Chin T’ing-piao was a native of Wu-ch’eng, Chekiang. He excelled as a figure.....more

471/1422
清金廷標畫碧桃 軸

清金廷標畫碧桃 軸

境之感。 &* Chin T’ing-piao was a native of Wu-ch’eng in chekiang. His tzu (style name) was Shih-ku’ei.....more

472/1422
清沈振麟貓竹 軸

清沈振麟貓竹 軸

艷。 &* Shen Chen-lin (style name Feng-ch’ih) was a native of Wu-chen, Kiangsu. He was a skilled.....more

473/1422
清許良標芭蕉美人圖 軸

清許良標芭蕉美人圖 軸

受西洋繪畫之影響。 &*Beauty Beside a Plantain Tree Hsü Liang-piao (fl. 19th c.) Ch’ing Dynasty The birth.....more

474/1422
清姚文瀚畫賣漿圖 軸

清姚文瀚畫賣漿圖 軸

. ca. 1736-1795) Ch’ing Dynasty Yao Wen-han, a native of Peking, was a court artist under the Ch’ien.....more

475/1422
清余省百蝶圖 卷

清余省百蝶圖 卷

,更以枯筆繪出蝶翅鱗粉之狀,極精工之能事。 &* Yu Sheng, style name Ts’eng-san, sobriquet Lu-ing, was a native of Ch’ang.....more

476/1422
清董邦達畫大士像 軸

清董邦達畫大士像 軸

想,面容慈祥。全幅筆法鬆秀。 &*Bodhisattva Tung Pang-ta (1699-1769) Ch’ing Dynasty Tung Pang-ta was a native of Fu.....more

477/1422
明董其昌書白羽扇賦 軸

明董其昌書白羽扇賦 軸

窮。&*Though Tung Ch'i-ch'ang was a chin-shih civil service candidate, he led a rather uneventful.....more

478/1422
清王鐸山水 軸

清王鐸山水 軸

-shih degree. After the Ch’ing dynasty took over the rule of China in 1644 he served at the Ch’ing court.....more

479/1422
明董其昌書杜律 冊

明董其昌書杜律 冊

所作。董氏傳世草書不多,本冊受二王及懷素風格影響,然運筆構字、線條粗細、轉折起伏,皆較早期稍富變化,通幅多用中鋒圓筆,筆乾墨燥,時出飛白,洋溢動態之美。&*Tung Ch'i-ch'ang.....more

480/1422

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