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明崔子忠畫蘇軾留帶圖 軸

明崔子忠畫蘇軾留帶圖 軸

坐樹下,皆張口談說。筆墨雅淡,描寫傳神。梅枝山石,用筆方整,是崔特色。 &*Ts’ui Tzu-chung was a native of Peiking. His style names were.....more

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明人畫普賢大士像 軸

明人畫普賢大士像 軸

, indicating that they were originally meant to be displayed together.&*  普賢,梵名三曼多跋陀羅,漢譯名為普賢,又名遍吉。與文殊.....more

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宋趙伯駒上林圖 卷

宋趙伯駒上林圖 卷

renderings of buildings in ruled-lines were exceptionally marvelous. The Shang-lin Park.....more

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名人便面畫冊 冊 清李世倬梅竹幽鳥

名人便面畫冊 冊 清李世倬梅竹...

blossoms were rendered using the circular petal method and provided expansive halos of light ink wash.....more

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宋錢選畫盧仝烹茶圖 軸

宋錢選畫盧仝烹茶圖 軸

-hsing teapot to brew tea, which was how tea leaves were brewed from the middle Ming on. In the work.....more

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清惲壽平摹古 冊 水仙

清惲壽平摹古 冊 水仙

tones to create light and dark washes, while the centers of the blossoms were given a light touch.....more

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花卉畫冊 冊 明項聖謨梅花

花卉畫冊 冊 明項聖謨梅花

in the work using only red ink is a bifurcating plum branch. The plum blossom petals were executed.....more

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元王振鵬畫手卷 卷

元王振鵬畫手卷 卷

from the Chou to Sung dynasty. They were famous for their sagacity and remonstrating the emperor.....more

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清王武花卉 冊 荷葉蓼花

清王武花卉 冊 荷葉蓼花

him in the ‘marvelous’ category”. He and Yűn Shou-p’ing were deemed the best in the bird-and-flower.....more

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明人畫扇 冊 明李流芳秋林晚景

明人畫扇 冊 明李流芳秋林晚景

, and Ch’eng Chia-sui (1565-1643) were called “The Four Gentlemen of Chia-ting.” Li Liu-fang was a friend.....more

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宋沈子蕃緙絲山水 軸

宋沈子蕃緙絲山水 軸

現的是光影的變化,此幅卻能變化自如。人物的臉部、篷舟,及部分山、雲、樹幹、樹葉、石頭的輪廓,有墨筆鉤添。 &* Colored silk threads were woven here onto.....more

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清唐岱畫墨妙珠林(申) 冊

清唐岱畫墨妙珠林(申) 冊

called him “First in Painting.” The right leaves of this album were done by Tang under imperial.....more

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民國林建同梅花四屏 軸

民國林建同梅花四屏 軸

landscapes, but his representations of plum blossoms were especially refined and admired by many. He.....more

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五代前蜀貫休羅漢 軸

五代前蜀貫休羅漢 軸

-907) text "Record of Buddhism in This World" describes how lohans were not just individuals who.....more

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宋人畫佛像 軸

宋人畫佛像 軸

were later figures were later converted into protectors of the Buddhist truth. This entire work.....more

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