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符合的藏品

明文徵明題宋高宗賜岳飛手?詞 卷

明文徵明題宋高宗賜岳飛手?詞 ...

, calligraphy, and painting, being one of the Four Ming Masters. Originally named Bi, he had the style name.....more

1381/1501
明文徵明書赤壁賦 卷

明文徵明書赤壁賦 卷

. In the former he followed the fourth-century style of the Two Wangs (Wang Xizhi and Wang Xianzhi.....more

1382/1501
宋人觀梅圖 軸

宋人觀梅圖 軸

of rendering pine trees resembles the style of Ma Yüan. Both near and distant mountains are modeled.....more

1383/1501
清院本漢宮春曉圖 卷

清院本漢宮春曉圖 卷

Court Painters Ch’ing Dynasty (1644-1911) This scroll, executed in an elegant and luxurious style.....more

1384/1501
清沈振麟畫耄耋同春 冊

清沈振麟畫耄耋同春 冊

「耄」部十二幅,以及下冊「耋」部四幅(1.4.6.12)。精緻富麗的圖繪在深暗底色的反襯之下,顯得分外活潑討喜,照人眼明。(20110408)&*Shen Zhenlin (style name.....more

1385/1501
清沈振麟畫耄耋同春 冊

清沈振麟畫耄耋同春 冊

。(20110408)&*Shen Zhenlin (style name Fengchi), a native of Wuxian (modern Suzhou, Jiangsu) served.....more

1386/1501
清李培雨畫牡丹 冊 牡丹(四)

清李培雨畫牡丹 冊 牡丹(四)

全畫色澤輕透明亮,且富水彩暈染的氤氳縹緲效果,兼得華麗與瀟灑之韻味與趣味。(20110102)&*Li Peiyu (style name Bolin), whose birth and death.....more

1387/1501
明王寵書雜詩 冊

明王寵書雜詩 冊

草寫,但字字獨立,甚少連筆牽絲,筆勢凝重,具乾淨俐落之韻。其中轉筆處帶圓潤,收尾常帶反捺筆,顯露硬拙峻拔的筆調。 (20110710)&*Wang Chong (style names Lü.....more

1388/1501
明董其昌臨褚遂良蘭亭敘 冊

明董其昌臨褚遂良蘭亭敘 冊

the original, the brushwork still has the nimble elegance of Chu Suiliang and Wang Xizhi’s style.....more

1389/1501
元吳鎮漁父圖 軸

元吳鎮漁父圖 軸

梅沙彌。畫師巨然,而能自闢畦逕,是元四大家之一。 本幅前景兩棵樹,下方有一路亭。對岸丘陵起伏,湖山蕩漾,漁父歸舟。用筆不多卻表現了深遠寧靜的大自然,今人心嚮往之。&*Wu Chen (style.....more

1390/1501
元吳鎮漁父圖 軸

元吳鎮漁父圖 軸

梅沙彌。畫師巨然,而能自闢畦逕,是元四大家之一。 本幅前景兩棵樹,下方有一路亭。對岸丘陵起伏,湖山蕩漾,漁父歸舟。用筆不多卻表現了深遠寧靜的大自然,今人心嚮往之。&*Wu Chen (style.....more

1391/1501
元方從義神嶽瓊林圖 軸

元方從義神嶽瓊林圖 軸

;an Masters. He had an unusual style all his own reflecting a Taoist vision of the land as a realm.....more

1392/1501
元倪瓚江亭山色 軸

元倪瓚江亭山色 軸

, style name Yüan-chen, sobriquets Yün-lin and Yü-weng, was a native of Wu-hsi.....more

1393/1501
明陸治雪窗見易圖 軸

明陸治雪窗見易圖 軸

for a friend, representing a cold wintry scene. The subject and style both derive from those of Wen Cheng.....more

1394/1501
宋歐陽修集古錄跋 卷

宋歐陽修集古錄跋 卷

潤無窮。後人觀之,如見其清眸豐頰,進趨曄如也。」可謂形容盡妙。而歐公自云:「余因李邕書得筆法,然為字絕不相類云云。」今觀其書,於顏為近。&*Ou-yang Hsiu (whose style-name.....more

1395/1501

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