搜尋:style 在 水墨 分類當中

符合的藏品

明崔子忠畫蘇軾留帶圖 軸

明崔子忠畫蘇軾留帶圖 軸

坐樹下,皆張口談說。筆墨雅淡,描寫傳神。梅枝山石,用筆方整,是崔特色。 &*Ts’ui Tzu-chung was a native of Peiking. His style names were.....more

1321/1501
明陸治梨花寫生 軸

明陸治梨花寫生 軸

幾與衡山相垺。  水墨折枝梨花,盤曲繚繞而上。畫榦用筆老辣,亦極得勢。通幅自有一種雅澹之韻,分外宜人。 &*Lu Chih was a native of Soochow. His style.....more

1322/1501
元吳鎮後赤壁賦圖 軸

元吳鎮後赤壁賦圖 軸

for the figures is strong and decisive. The style here actually derives from that of Ma Yüan (fl. 1189-1225.....more

1323/1501
明唐寅觀瀑圖 軸

明唐寅觀瀑圖 軸

of human figures, flowers and birds, and landscapes. T’ang Yin’s style-names were Tzu-wei and Po-hu; his.....more

1324/1501
明邢慈靜畫大士 軸

明邢慈靜畫大士 軸

at bamboo-and-stone themes and paintings of Guanyin in outline (baimiao) style, making her a prominent.....more

1325/1501
明文徵明松陰曳杖圖 軸

明文徵明松陰曳杖圖 軸

of Ch’ang-chou, Kiangsu. Originally named Pi, he later took his style name Cheng-ming as his given one.....more

1326/1501
明張宏競渡圖 軸

明張宏競渡圖 軸

主管官員,駕臨觀賞。民衆亦於四方圍觀。畫成於戊子(西元一六四八年),作者年五十二歲。張宏畫風多取材於目見,此幅構景,宛如眼前所得,可謂為當時年節留下之影像。 &* Chang Hung (style.....more

1327/1501
明陸治玉蘭 軸

明陸治玉蘭 軸

Cheng-ming. Lu chih’s paintings have a distinct, individual style; his sketches from life.....more

1328/1501
明吳彬仙山高士 軸

明吳彬仙山高士 軸

。其山水佈置用筆,亦絕不摹古,能夠自出新意。所畫立軸,多作筍峰千仞,懸瀑百丈,樹木叢生於峰頂。琳宇危構於山阿,雲霞四繞,離奇詭異,令人有恍入夢境之感。&* Wu Pin., style name.....more

1329/1501
明人畫普賢大士像 軸

明人畫普賢大士像 軸

with an accompanying painting of Mañjušrî, these two works are of similar size and style.....more

1330/1501
明錢穀午日鍾馗 軸

明錢穀午日鍾馗 軸

。錢穀此作,即係過渡時期的例證。&* Ch’ien Ku (style name Shu-pao; sobriquet Ch’ing-shih) was a native of Wu-hsien.....more

1331/1501
明仇英觀榜圖 卷

明仇英觀榜圖 卷

由皇帝面試,殿試成績最高者為狀元,次名稱榜眼,三名稱探花。畫中觀榜人潮洶湧,高中者興奮地登馬而去,落榜首,則滿臉沮喪,由人攙扶,頹然而返。 &* Ch’iu Ying (style name Shih.....more

1332/1501
南朝宋陸探微五岳圖 卷

南朝宋陸探微五岳圖 卷

critics have said that Lu's style embodied the "Six Principles" of painting propounded by the sixth.....more

1333/1501
明仇英上林圖 卷

明仇英上林圖 卷

is probably a later spurious attribution to Qiu Ying (style name Shifu, sobriquet Shizhou), native.....more

1334/1501
明仇英雙駿圖 軸

明仇英雙駿圖 軸

to it. The brushwork varies between fine and coarse, thus differing from the delicate opulent style usually.....more

1335/1501

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