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清繡線佛像(九)普賢菩薩 軸

清繡線佛像(九)普賢菩薩 軸

. The compositions are all clearly defined and the colors opulent. Various embroidery techniques were.....more

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清繡線佛像(七)釋迦牟尼佛 軸

清繡線佛像(七)釋迦牟尼佛 軸

everence before the viewer. The composition here almost fills the entire scroll. Various techniques were.....more

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清吳昌碩芍藥 軸

清吳昌碩芍藥 軸

´in, was a native of An-chi, Chekiang province. His style names were Ch´ang-shih, Ts.....more

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清吳穀祥具區湧金圖 單片

清吳穀祥具區湧金圖 單片

。&* Wu Ku-hsiang, a native of Chekiang, was skilled at painting landscapes. His early works were detailed.....more

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唐李昭道湖亭遊騎 軸

唐李昭道湖亭遊騎 軸

forms, such as the mountains and trees. They were then filled with hues of ochre, malachite.....more

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六朝梁張僧繇雪山紅樹圖 軸

六朝梁張僧繇雪山紅樹圖 軸

. However, many “Zhang Sengyou” works in the late Ming dynasty were landscapes in the “boneless” wash.....more

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唐人春郊遊騎圖 軸

唐人春郊遊騎圖 軸

, polo club, lute, and wine. The tree leaves were done in outlines filled with colors, while.....more

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元吳鎮雙松圖 軸

元吳鎮雙松圖 軸

Zhen along with Huang Gongwang, Ni Zan, and Wang Meng were known as the Four Yuan Masters. Against.....more

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元人青山白雲 卷

元人青山白雲 卷

Fu and Mi Yu-jen. The leaves were delicately dabbed with varying densities of ink in a technique.....more

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宋劉松年十八學士圖 卷

宋劉松年十八學士圖 卷

day 6 were present to discuss texts. Yen Li-pen (600-674) was commissioned to paint their portraits.....more

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宋王詵瀛山圖 卷

宋王詵瀛山圖 卷

was accomplished in many fields, even the game of go. As a painter, his landscapes were patterned after those.....more

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五代後蜀丘文播文會圖 軸

五代後蜀丘文播文會圖 軸

. Since large tables and chairs were not used in antiquity, this type of small armrest was developed.....more

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宋燕文貴秋山琳宇圖 軸

宋燕文貴秋山琳宇圖 軸

. In the Painting Academy, his paintings were called "Landscapes in Master Yen's style." This scroll depicts.....more

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宋人嬰戲圖 軸

宋人嬰戲圖 軸

, and clothing of the figures in this painting were all finely rendered by first delicately outlining in ink.....more

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明唐寅層巖策杖圖 軸

明唐寅層巖策杖圖 軸

, painting, and writing, however, were all of the highest caliber. He was gifted at painting.....more

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