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符合的藏品

明謝時臣畫山水 軸

明謝時臣畫山水 軸

. The brushwork is dense and detailed, and the complex textures of mountains and vegetation were rendered.....more

271/576
元趙雍草書千文 冊

元趙雍草書千文 冊

semi-cursive calligraphy followed quite closely in the family tradition, so much that others were.....more

272/576
元曹善書山海經(四) 冊

元曹善書山海經(四) 冊

'ang, and brother's son, Ts'ao Kung, are also famous for their calligraaphy, and they were.....more

273/576
清顧瑛畫罌粟 軸

清顧瑛畫罌粟 軸

of the petals and calyxes were traced with a very fine brush, the centers of the blossoms dotted.....more

274/576
清董邦達四美具合幅 軸

清董邦達四美具合幅 軸

“The Four Beauties Complete.” The 4 were lost at the fall of the Ming but made their way into the Qing.....more

275/576
宋人洗馬圖 軸

宋人洗馬圖 軸

of a black horse. The brushwork is quite fine fine and taut, and the details were finely rendered. Sitting.....more

276/576
明錢穀石湖八景圖 冊

明錢穀石湖八景圖 冊

, human figures, and birds and flowers. His exquisite brushwork and elegant style were much admired.....more

277/576
明陳洪綬雜畫 冊 紅杏

明陳洪綬雜畫 冊 紅杏

techniques to express an interest in archaic and distorted shapes. Dry brushwork and light ink were.....more

278/576
明趙左秋林書屋圖 軸

明趙左秋林書屋圖 軸

works actually were by Chao. He was a major figure of the Sungkiang School in the late Ming. This work.....more

279/576
明王逢元書七言律詩 軸

明王逢元書七言律詩 軸

Wang's standard script as being "slightly fat"; Ku Lin (1476-1545), however, said Wang's works were.....more

280/576
宋元寶翰 冊 宋張孝祥書尺牘

宋元寶翰 冊 宋張孝祥書尺牘

with the free and easy nature of Mi Fu’s style. Along with Fan Chengda (Shihu), they were known as the “Two Hu.....more

281/576
名畫琳瑯 冊 明陸治雪後訪梅

名畫琳瑯 冊 明陸治雪後訪梅

and painting. A friend of Wen Cheng-ming and Chu Yun-ming his paintings were almost as famous as those.....more

282/576
明商喜戲貓圖 軸

明商喜戲貓圖 軸

and flowers were modelled after Sung masters. On the grass under the shade of an old tree acurry to and fro.....more

283/576
明戴進山水圖 軸

明戴進山水圖 軸

in a small boat. The rocky forms were done with large “axe-cut” texture strokes. The strong brushwork.....more

284/576
明藍瑛畫雪景 軸

明藍瑛畫雪景 軸

;an masters. His compositions were exquisite, and his coloring was opulent. The style of his later works.....more

285/576

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