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符合的藏品
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清惲壽平畫湖山小景 冊 石畔古...
branch with forceful and upright twigs stretching out between rocks. The tips of the branches were.....more
- 391/576
清惲壽平摹古 冊 春風圖
the radiant beauty of a flowering peach tree in brilliant bloom. The willow leaves in contrast were done.....more
- 392/576
宋人牋牘 冊 宋徐鉉書尺牘
east of the Yangtze, they were known together as “Han and Hsü”. Thoroughly studied.....more
- 393/576
宋高宗書孝經馬和之繪圖 冊 諸...
. The painting and calligraphy were originally in the form of a hand scroll, later being cut apart.....more
- 394/576
宋四家墨寶 冊 宋蔡襄書尺牘
, hairs from a chipmunk tail were twisted together to form the brush. Later, after Mei Yao-ch’en.....more
- 395/576
宋賢書翰 冊 宋朱熹致教授學士...
with which the characters were written, this work reflects the basic standards of calligraphy.....more
- 396/576
元趙孟頫畫淵明歸去來辭 卷
and calligraphy were very influential.&*趙孟頫（西元一二五四─一三二二年），宋宗室，居吳興。字子昂，號松雪道人。仕元，至翰林學士承旨，封魏國公，諡文敏。詩文清遠，書畫為後世所宗。 本幅無.....more
- 397/576
清王武畫花卉 冊 竹下紅梅
petals of the red blossoms were provided a white wash as yellow strokes define the stamens, thereby.....more
- 399/576
五代董源江堤晚景 軸
along with his mountains in hemp-fiber texture strokes. Both were features of his style. Here, bluish.....more
- 400/576
鏤繪集錦 冊 花間行龍
, the tapestry threads dense with a golden dragon on a background of red threads. Gold threads were then propped.....more
- 402/576
鏤繪集錦 冊 八哥桃花
. Colors were added in layers to mask the broken threads, probably reflecting a restoration from.....more
- 403/576
元趙孟頫畫淵明歸去來辭 卷
and calligraphy were very influential.&*趙孟頫（西元一二五四─一三二二年），宋宗室，居吳興。字子昂，號松雪道人。仕元，至翰林學士承旨，封魏國公，諡文敏。詩文清遠，書畫為後世所宗。 本幅無.....more
- 405/576