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符合的藏品

脊椎動物化石 哺乳動物 概論

脊椎動物化石 哺乳動物 概論

the Triassic Period. Their ancestors can be traced back to a group of mammal-like reptiles that emerged.....more

106/1327
清屈兆麟仿郎世寧花卉 冊

清屈兆麟仿郎世寧花卉 冊

album in the late period of his life. Earlier during the Yung-cheng period (1723-1735) he.....more

107/1327
清李?牡丹 軸

清李?牡丹 軸

painting was modeled after Chiang T’ing-hsi and influenced by Kao Ch’i-p’ei. For a period of time Li Shan.....more

108/1327
民國鄭午昌橫月 冊頁

民國鄭午昌橫月 冊頁

的紅梅,十分醒目。本冊為林宗毅林誠先生捐贈。 &*Traversing the Moon Cheng Wu-ch’ang (1894-1952) Republican Period Cheng Wu.....more

109/1327
宋黃庭堅自書松風閣詩 卷

宋黃庭堅自書松風閣詩 卷

, was a great poet of the period and ranked along with su Shih, Mi Fu, and Ts.....more

110/1327
明邊文進花鳥 軸

明邊文進花鳥 軸

painter at the early Ming court, and his paintings are truly exquisite. During the Yung-lo period (1403.....more

111/1327
宋人長生法會圖 軸

宋人長生法會圖 軸

on the basis of style to have been done in the 14th to 15th century (Yuan or early Ming period).&*此圖畫佛教西.....more

112/1327
清王翬倣王蒙夏山讀書圖 軸

清王翬倣王蒙夏山讀書圖 軸

-min and Wang Chien-the two foremost masters of the “orthodox” school of the early Ch’ing period-who.....more

113/1327
清張庚仿王蒙山水 軸

清張庚仿王蒙山水 軸

was born in 1685, the twenty-fourth year of the K’ang-hsi period; died in 1760, the twenty-fifth.....more

114/1327
清禹之鼎擬趙千里山水 軸

清禹之鼎擬趙千里山水 軸

, sobriquet Shen-chai) was a native of Chiang-tu, Kiangsu. During the K’ang-hsi period (1662-1722.....more

115/1327
唐太宗立像(二) 軸

唐太宗立像(二) 軸

.), whose personal name was Shih-min, was the second son of Emperor Kao-tsu. In the disturbed period.....more

116/1327
宋拓聖教序 冊

宋拓聖教序 冊

rubbing is from the Northern Sung period (960-1127), the stele having broken sometime during the Sung.....more

117/1327
清錢維城畫淑景迎韶 卷

清錢維城畫淑景迎韶 卷

the new year period are depicted. The brushwork is neat and refined, with a bright color rendering.....more

118/1327
清呂世宜隸書 軸

清呂世宜隸書 軸

on calligraphic circles of the late Ch’ing and Japanese colonial period in Taiwan. 本幅 130.5x33.2公分、全幅.....more

119/1327
清呂世宜行書五言聯 軸

清呂世宜行書五言聯 軸

period in Taiwan. Mr. Lin Ch’eng-tao donated this couplet to the National Palace Museum in 2002.....more

120/1327
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