搜尋:ming

符合的藏品

明文徵明朱竹 軸

明文徵明朱竹 軸

響顯著。 畫竹常以墨色來表現,作者在此卻以朱色畫之,就連款識也用朱書,滿紙映紅,別有一番視覺感受。而兩竿朱竹,瘦硬挺拔,用筆含蓄內蘊,卻可見書法中永字八法的筆法。&*Wen Cheng-ming.....more

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明唐寅暮春林壑 軸

明唐寅暮春林壑 軸

畫錄(卷五),第三冊,頁341&*故宮書畫圖錄,第六冊,頁349-350&*Late Spring in A Forested Valley T’ang Yin (1470-1523) Ming.....more

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明徐賁廬山讀書圖 軸

明徐賁廬山讀書圖 軸

。&*Studies at Mount Lu Hsü Pen (14th c.) Ming Dynasty Hsü Pen, a native of Szechwan, lived.....more

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明陳汝言荊溪圖 軸

明陳汝言荊溪圖 軸

-yen (d. 1471) Ming Dynasty Ch’en Ju-yen was a native of Kiangsi who resided in Wu-hsien (modern.....more

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明夏昶清風高節圖 軸

明夏昶清風高節圖 軸

。另畫石的筆墨極重,顯出石的厚實,和竹的飄逸兩相對映,意趣無窮。&*Lofty Bamboo in a Pure Breeze Hsia Ch’ang (1388-1470) Ming Dynasty.....more

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明呂紀荷渚睡鳧 軸

明呂紀荷渚睡鳧 軸

-and-flower style of the early Ming painter Pien Wen-chin (fl. 1403-1428). He later followed.....more

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明陸治仙山玉洞圖 軸

明陸治仙山玉洞圖 軸

represents a clear departure from the style of Wen Cheng-ming and is from Lu's mature period. &* 陸治(西元一四九.....more

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明陳洪綬畫梅花山鳥 軸

明陳洪綬畫梅花山鳥 軸

圓潤而含蓄。 &*Ch'en Hung-shou, a native of Chekiang province, spanned the Ming and Ch'ing dynasties.....more

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明陳洪綬玩菊圖 軸

明陳洪綬玩菊圖 軸

-shou (1599-1652) Ming Dynasty Ch’en Hung-shou, a native of Chekiang province, was a stylistically.....more

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明唐寅品茶圖 軸

明唐寅品茶圖 軸

, was (along with Shen Chou, Wen Cheng-ming, and Ch’iu Ying) one of the Four Ming Masters. This work shows.....more

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明陸治丹楓秋色 卷

明陸治丹楓秋色 卷

is subdued and muted, similar in spirit to that of Wen Cheng-ming (1470-1559). The texture strokes.....more

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明陳淳寫生 卷

明陳淳寫生 卷

was an artist in the Soochow area during the middle Ming who excelled at poetry.....more

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明陳洪綬畫隱居十六觀 冊

明陳洪綬畫隱居十六觀 冊

-professional painter” active in the Chekiang area from the Ming to Ch'ing dynasties. He excelled.....more

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明唐寅山水 卷

明唐寅山水 卷

, painting and calligraphy. He is included as one of the four Masters of the Ming dynasty. &*  王穉登吳郡丹青志沈.....more

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名畫琳瑯 冊 明文嘉石湖秋色

名畫琳瑯 冊 明文嘉石湖秋色

Cheng-Ming. Following his father, he excelled at poetry, calligraphy, and painting. His landscape.....more

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