五代南唐巨然雪圖 軸
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- 資料識別：
- 故畫000020N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 巨然
- 主題與關鍵字：
- 冬景（雪景） 江河、湖海 松 瀑布 騾．驢 樵夫 侍從（侍女、童僕） 行旅 寒林．枯樹 房舍 橋 寺廟
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 103.6x52.5公分、詩塘 30.5x52.9公分
- 關聯：
- 石渠寶笈續編（寧壽宮），第五冊，頁2653&*故宮書畫錄（卷五），第三冊，頁22-23&*故宮書畫圖錄，第一冊，頁89-90&*1.許郭璜，〈傳五代南唐巨然雪圖〉，收入《李郭山水畫系特展》（臺北：國立故宮博物院，1999年初版），頁9-14。 2.王耀庭，〈五代南唐巨然雪圖〉，收入王耀庭主編，《傳移模寫》（臺北：國立故宮博物院，2007年初版），頁56。 3.林莉娜，〈五代南唐巨然雪圖〉，收入林莉娜、張華芝編，《冬景山水畫特展圖錄》（臺北：國立故宮博物院，1989年元月初版），頁54-55。 4.傅申，〈巨然存世畫蹟之比較研究〉，《故宮季刊》，第二第二期（1967年十月)，51-79。 &*巨然（活動於西元十世紀後期），江南人。南唐時為開元寺僧，南唐亡後（西元九七五年），巨然隨後主李煜至汴梁。工畫山水，祖述董源，臻於妙境。荊關董巨，並稱大家。坡陀野水，漸成峽谷。寺宇半露，背山崒嵂特起，雄偉之甚。溪橋山道之間，行旅三人，冒風雪而行。烘染盡法，故覺其厚；夷險得勢，故覺其雄。 &*A blanket of snow covers the scene with a temple behind a slope at the middle right. Majestic mountains rise in the background. Three figures braving the cold and snow appears on a path towards the temple, with the two behind having just crossed a small bridge over a stream. The sky and water were washed in ink to leave the blank areas as snow, creating a dark and wintry scene punctuated by the craggy trees and sparse mountains. This work bears no seal or signature of the artist, but Tung Ch'i-ch'ang (the famed connoisseur-artist of the Ming) inscribed it as by the 10th-century artist Ch'an. Modern scholarship, however, suggests it was either painted by Feng Kuan, a follower of Li Ch'eng under Emperor Hui-tsung, or by a Y'an (1279-1368) artist.&*雪覆滿大地，峽谷中半露寺宇，背後崇山高起，山勢雄偉。溪橋山道之間，行旅三人，冒風雪而行。以墨烘染法，畫出水天，反襯出雪白，大地空曠，枯樹搖舞，倍覺一派襲人寒意。畫上無作者款印，詩塘上有明代書畫家及鑑賞家董其昌題，鑑定為活動於十世紀南唐至北宋初的江南畫家巨然所作。近代學者研究，可能是宋徽宗朝一位學李成的畫家馮覲的作品，也有認為是元代畫家所作。&* A blanket of snow covers the scene with a temple behind a slope at the middle right. Majestic mountains rise in the background. Three figures braving the cold and snow appear on a path towards the temple, with the two behind having just crossed a small bridge over a stream. The sky and water were washed in ink to leave the blank areas as snow, creating a dark and wintry scene punctuated by the craggy trees and sparse mountains. This work bears no seal or signature of the artist, but Tung Ch’i-ch'ang (the famed connoisseur-artist of the Ming) inscribed it as by the 10th-century artist Chü-jan. Modern scholarship, however, suggests it was either painted by Feng Kuan, a follower of Li Ch'eng under Emperor Hui-tsung, or by a Yüan (1279-1368) artist. &* 本幅據詩塘董其昌（1555∼1636）的鑑定款題，定為五代巨然所作。巨然，南唐五代畫家，南唐亡為開元寺僧，工畫山水，以披麻皴描繪江南景物，畫風平淡天真。 本幅構圖大致可分為三景，主山雙峰屏立，雄巖峻險，表現出奇峰積雪靄靄幽深的北地景緻，儼然具有北宋氣度，而兩側鋸齒狀的岩塊，看似突兀奇倨，但卻有增強畫作張力的視覺效果。中景樓閣隱現山石間，客旅行於山徑上，近景則畫河岸兩側，枯枝樹石。山石皴法及造型似從披麻、捲雲皴而來，林木方面，松針尖挺，枯枝似郭熙蟹爪，但運筆佈墨極具畫家個人的特質。筆法與巨然平淡天真的江南風格有別，可能是宋人宗法李成風格之作。 &*A blanket of snow covers the scene with a temple behind a slope at the middle right. Majestic mountains rise in the background. Three figures braving the cold and snow appear on a path towards the temple, with the two behind having just crossed a small bridge over a stream. The sky and water were washed in ink to leave the blank areas as snow, creating a dark and wintry scene punctuated by the craggy trees and sparse mountains. This work bears no seal or signature of the artist, but Tung Ch'i-ch'ang (the famed connoisseur-artist of the Ming) inscribed it as by the 10th-century artist Chu-jan. Modern scholarship, however, suggests it was either painted by Feng Kuan, a follower of Li Ch'eng under Emperor Hui-tsung, or by a Yuan (1279-1368) artist.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
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