搜尋:Fu

符合的藏品

元人春山圖 軸

元人春山圖 軸

styles of Dong-Ju (Dong Yuan and Juran) and the Two Mi’s (Mi Fu and Mi Youren). The ink tone.....more

1786/12225
五代南唐董源洞天山堂 軸

五代南唐董源洞天山堂 軸

an awesome feeling of chill and shadow. Mi Fu praised Tung Yüan’s works, saying that his ridges.....more

1787/12225
宋人枇杷猿戲圖 軸

宋人枇杷猿戲圖 軸

master of gibbon painting in the Northern Song, with Mi Fu praising him as “the one and only after.....more

1788/12225
元趙奕畫大士像 軸

元趙奕畫大士像 軸

-hsing, in Chekiang province. The son of Chao Meng-fu, Chao I chose to lead a hermetic existence over.....more

1789/12225
明仇英秋江待渡 軸

明仇英秋江待渡 軸

,” was a native of T’ai-ts’ang, Kiangsu. His style-name was Shih-fu; his sobriquet, Shih-chou. Originally.....more

1790/12225
明仇英蕉陰結夏 軸

明仇英蕉陰結夏 軸

. 1494-1552) Ming Dynasty Ch’iu Ying (tzu shu-fu) was a native of T’ai-ts’ang, Kiangsu. He was born.....more

1791/12225
明居節畫江南春 軸

明居節畫江南春 軸

Meng-fu and Lu Yü, were also excellent. Later generations prized his work highly, considering h.....more

1792/12225
明唐寅臨水芙蓉圖 軸

明唐寅臨水芙蓉圖 軸

masters: in calligraphy he followed Chao Meng-fu, Li Yung and Yen Chen-ching; in painting Chou Ch’en.....more

1793/12225
明仇英松亭試泉圖 軸

明仇英松亭試泉圖 軸

Shih-fu, was a native of T’ai-ts’ang in Kiangsu Province. He was of humble origins and worked.....more

1794/12225
明陳汝言荊溪圖 軸

明陳汝言荊溪圖 軸

excelled at poetry and painting, being influenced by the landscape painting of Chao Meng-fu (1254-1322.....more

1795/12225
明王紱畫鳳城餞詠 軸

明王紱畫鳳城餞詠 軸

Fu, a native of Kiangsu, was a scholar of poetry who served at the Wen-yüan Pavilion.....more

1796/12225
明王紱淇渭圖 軸

明王紱淇渭圖 軸

」和「渭川千畝竹」之稱,本幅因以其為名。雖以遒勁的筆法,只畫竹梢一段,卻是密葉疏枝,俯仰向背,佈置得頗有巧思,可由小觀大,見千畝之勢。&*Wang Fu, a native of Wu-hsi.....more

1797/12225
明仇英桐陰晝靜圖 軸

明仇英桐陰晝靜圖 軸

(style name) was Shih-fu and his hao (sobriquet) was Shih-chou. He was instructed by Chou Ch’en.....more

1798/12225
明陳洪綬畫梅花山鳥 軸

明陳洪綬畫梅花山鳥 軸

drapery lines, revealing the features of Li Kung-lin's (1049-1106) and Chao Meng-fu's (1254-1322) styles.....more

1799/12225
明沈周江山清遠圖 卷

明沈周江山清遠圖 卷

the historian Ch’ien Hao-t’an (Ch’ien Fu), and he showed me two long handscrolls, one by Ma Yüan and one.....more

1800/12225