搜尋:Artist

符合的藏品

清楊大章畫秋渚眠禽 軸

清楊大章畫秋渚眠禽 軸

. The artist used light ink washes to represent the aura around the moon. Although lacking in detail.....more

256/1780
清張宗蒼松陰高士圖 軸

清張宗蒼松陰高士圖 軸

the cascade. The artist used scumbled dry ink to depict the trees and rocks. Brush and ink.....more

257/1780
清錢維城新韶如意圖 軸

清錢維城新韶如意圖 軸

in all things.” The artist’s inscription says that the painting is modelled after Tung Hsiang, a Painter.....more

258/1780
清金廷標畫碧桃 軸

清金廷標畫碧桃 軸

of this painting is in the trees and rocks of the foreground; to achieve this aim the artist has painted.....more

259/1780
清陳書畫荷花 軸

清陳書畫荷花 軸

on a lotus pod below. Ch'en Shu mentioned that she had painted in the style of the Ming artist Ch'en Ch'un.....more

260/1780
清錢維城畫梅茶水仙 軸

清錢維城畫梅茶水仙 軸

on shading techniques from the Italian artist Giuseppe Castiglione (1688-1766). Thus, this appears.....more

261/1780
清姚文瀚畫賣漿圖 軸

清姚文瀚畫賣漿圖 軸

. ca. 1736-1795) Ch’ing Dynasty Yao Wen-han, a native of Peking, was a court artist under the Ch’ien.....more

262/1780
清余省百蝶圖 卷

清余省百蝶圖 卷

painted with a so-called “dry-brush,” reflect the very considerable skill of the artist. 本幅 35.9x252.5公分.....more

263/1780
清張宗蒼江潮圖 軸

清張宗蒼江潮圖 軸

to serve as court artist. In this painting, beyond the expanse of water lies a vast range.....more

264/1780
清惲壽平燕喜魚樂 軸

清惲壽平燕喜魚樂 軸

in the “boneless” wash method, the artist also used some outlining. The coloring is quite elegant. 本幅 120.5x61.....more

265/1780
明董其昌書白羽扇賦 軸

明董其昌書白羽扇賦 軸

and practice of painting and calligraphy, becoming the most influential artist and theorist of the late Ming.....more

266/1780
清董邦達倣王蒙萬疊芙蓉 軸

清董邦達倣王蒙萬疊芙蓉 軸

it one of the best of the many works by the artist in this museum. 本幅 133x63.3公分、全幅 86.5公分 類型:繪畫 型式:靜態.....more

267/1780
清王武花卉寫意 卷

清王武花卉寫意 卷

as the artist has revealed the elegant and refined side to the subject matter. 本幅 20.8x119.8公分、隔水一 10.9公分、.....more

268/1780
清金廷標畫移桃圖 軸

清金廷標畫移桃圖 軸

of Lohans painted in black and white outline. The Emperor was so pleased that he summoned the artist.....more

269/1780
明錢旭中流砥柱 軸

明錢旭中流砥柱 軸

”, skipping laterally to the left or right. The artist uses dark ink for the moss dots, whereas.....more

270/1780