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明錢穀畫南城看雪 軸
冊，頁402-403&*故宮書畫圖錄，第八冊，頁99-100&*1.林莉娜，〈明錢榖畫南城看雪〉，收入林莉娜、張華芝編，《冬景山水畫特展圖錄》（臺北：國立故宮博物院，1989年元月初版），頁66.....more
- 46/125
清郎世寧畫錦春圖 軸
training with studies of Chinese painting techniques to create a style fusing the best of both.....more
- 50/125
明陳洪綬雜畫 冊 紅杏
techniques to express an interest in archaic and distorted shapes. Dry brushwork and light ink were.....more
- 51/125
清孫祜周鯤丁觀鵬畫十八學士圖 ...
techniques. 本幅 39x1138.2公分、隔水一 13.2公分、隔水二 13.3公分 清高宗乾隆六年（1741） 類型:繪畫 型式:靜態圖像 孫祜、周鯤、丁觀鵬 數位化執行單位:國立故宮博.....more
- 52/125
清王翬畫水村春曉 軸
was thus able to absorb both ancient and contemporary techniques and combine the styles.....more
- 53/125
清王翬畫奇峰聳秀 軸
collections. In this way, he was able to absorb the brush techniques of both the past and the present.....more
- 54/125
清王翬畫夏麓晴雲 軸
collections. In this way, he was able to absorb the brush techniques of both the past and present.....more
- 55/125
清王原祁畫山水 冊 仿雲林山水
. He closely followed the style of his forebears, and employed the light coloring techniques.....more
- 56/125
清郎世寧畫玉花鷹 軸
techniques. The title of this work indicates that this white falcon was presented as tribute from.....more
- 57/125
清郎世寧畫海西知時草 軸
as a painter. He combined his previous training with studies of Chinese painting techniques.....more
- 58/125
清繡線佛像（九）普賢菩薩 軸
. The compositions are all clearly defined and the colors opulent. Various embroidery techniques were.....more
- 60/125