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宋歐陽修集古錄跋　卷

being quite precise. In terms of the brushwork, the horizontal strokes are light and the vertical.....more

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texture strokes of the slopes and rocks are done in a unrestrained quality typical of his.....more

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are thin and poen. However, within each character, some strokes are narrow while others thicker.....more

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strokes also revealing the T’ang spirit. (20081012) 本幅一 25.1x16.8公分、本幅二 25.3x19.1公分、本幅三 25.3x17.5公分、.....more

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strokes executed with a “dry” brush. The brushwork is tight-knit, following the characteristic style.....more

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with texture strokes, dots, and washes ultimately derived from that of Liu Sung-nien.....more

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since. The clerical script in this work is strong, the dots and strokes being even and regulated.....more

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painting is pure and unique. His solemn yet warm style lies in the texture strokes.....more

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used a brush with a blunt tip. Thus, some of the strokes in the steady running.....more

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brush strokes similar to wood chopped by an axe (and hence became known as “axe-cut” strokes). Li T.....more

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brush strokes similar to wood chopped by an axe (and hence became known as “axe-cut” strokes). Li T.....more

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