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元明人詞翰 卷 宋克書五言古詩

元明人詞翰 卷 宋克書五言古詩

was also profoundly influenced by the styles of Chung Yu and Wang Hsi-chih. Assiduously studying "Model.....more

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五代後唐胡?番馬圖 卷

五代後唐胡?番馬圖 卷

was familiar with nomadic lifestyles or followed an authentic model. Though the style differs from.....more

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元趙雍江山放艇圖 軸

元趙雍江山放艇圖 軸

üan as a model. He is most famous for his paintings of figures with horses, and bamboo.....more

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元張中寫生花鳥 軸

元張中寫生花鳥 軸

sobriquet. In landscape painting he took Huang Kung-wang as his model. He equally excelled in bird.....more

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元趙孟頫山水 卷

元趙孟頫山水 卷

fastidiousness, the moss dots spread over the ridgelines to model and give weight to the land. Thus.....more

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明丁雲鵬畫莊嚴大士瑞像 軸

明丁雲鵬畫莊嚴大士瑞像 軸

that it was probably done by a later painter of the 17th or 18th century working from an older model. Thus.....more

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明邊文進三友百禽圖 軸

明邊文進三友百禽圖 軸

as a model for later artists such as Lü Chi. This painting, done in 1413.....more

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明顧正誼山水 軸

明顧正誼山水 軸

as his model. His family had a large collection of old paintings, and the painters Sung Hsü.....more

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宋四家法書 卷 宋黃庭堅致明叔同年尺牘

宋四家法書 卷 宋黃庭堅致明叔...

. Later, Huang used the I-he ming inscription as his model for large character calligraphy and took.....more

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明祝允明臨黃庭經 卷

明祝允明臨黃庭經 卷

國立故宮博物院 石渠寶笈三編(延春閣),第四冊,頁1814&*故宮書畫錄(卷一),第一冊,頁99&*祝允明(西元一四六0-一五二六年),字希哲,號枝山、枝指生。江蘇蘇州人。五歲能寫徑尺大字,擅長楷.....more

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元趙孟頫醉菊圖 卷

元趙孟頫醉菊圖 卷

poems as well as pure and lofty character made him a model for later scholars. His love.....more

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清王翬畫石磴林泉 軸

清王翬畫石磴林泉 軸

’s rain-drop ts’un and dense ink lines model its surface successfully emphasizing the strength.....more

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五代南唐巨然秋山圖 軸

五代南唐巨然秋山圖 軸

as an encircling river flows diagonally across the composition. "Hemp-fiber" strokes model the mountains.....more

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清永瑢畫山水 軸

清永瑢畫山水 軸

was a skilled poet, calligraphy and painter. Having taken the contemporary artist Huang Chien as a model.....more

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清永瑢松壑層軒 軸

清永瑢松壑層軒 軸

as a model for his landscape paintings, he was able to develop his own style. Horizontally arranged.....more

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