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明人便面畫冊（二） 冊 明陸治...
was painted on gold paper which does not absorb water, and the colors were applied with a brush. Because.....more
- 511/643
元人雜書 卷 康里?致彥中尺牘
), and that in addition to his handsome brushwork, the twists and turns of his writing were round.....more
- 512/643
清王鑑倣趙孟頫茂林蕭寺圖 軸
, including Wang Chien, were influenced by the late-Ming theories of Tung Ch’i-ch’ang, who venerated.....more
- 514/643
清王翬倣巨然夏山圖 軸
, Kiangsu. His style name was Shih-ku and his sobriquets were Keng-yen san-jen, Ch’ing-hui chu-jen,Wu.....more
- 515/643
清王翬倣王蒙夏山讀書圖 軸
” strokes’’-were derived from the works of the 14th century master Wang Meng. The trees and houses.....more
- 516/643
清惲壽平竹石枯槎圖 軸
. Yün Shou-p'ing's flower paintings in the “boneless” manner often employed colors that were.....more
- 517/643
清王原祁倣黃公望山水 軸
-ch’i was from T’ai-ts’ang in Kiangsu. His style name was Mao-ching, and his sobriquets were Lu-t’ai.....more
- 518/643
清鄒一桂畫金英秋實 軸
with ink to delineate the flowers and leaves, and lines were also used to represent the veins. The result.....more
- 520/643
清花卉畫冊 冊 清惲壽平虞美人
at various angles as they appear to gaze about. The leaves were done with cyanine blue and ink.....more
- 521/643
董邦達柳浪聞鶯御題 軸
were planted along the riverbank outside the Feng-yü Gate. When gentle winds blew through.....more
- 523/643
清王鑑倣黃公望山水 軸
, and Huang Kung-wang. The Four Wangs of the early Ch’ing dynasty were devoted to the styles of the Y.....more
- 525/643