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符合的藏品

宋李迪畫花鳥 軸

宋李迪畫花鳥 軸

intersect with the tree branches and trunk. The spaces in between were washed in mineral blue.....more

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明張宏棲霞山圖 軸

明張宏棲霞山圖 軸

, his innovative compositions were unique at the time. Chang Hung often used actual sites.....more

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明崔子忠桐陰博古圖 軸

明崔子忠桐陰博古圖 軸

time, he was associated with Ch’en Hung-shou---they were known together as “Ch’en of the South.....more

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明文徵明影翠軒圖 軸

明文徵明影翠軒圖 軸

by his tzu. Yet another tzu was Cheng-chung; his hao (sobriquets) were T’ing-yün-sheng and Heng.....more

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明文伯仁五月江深圖 軸

明文伯仁五月江深圖 軸

Wen Po-jen’s style name was Te-ch’eng, and his sobriquets were Wu-feng, Pao-sheng.....more

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明沈士充天香書屋圖 軸

明沈士充天香書屋圖 軸

landscape painting with Sung Mou-chin and Chao Tso. His works were known for their lush hills rendered.....more

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明文從簡禮佛圖 軸

明文從簡禮佛圖 軸

its religious associations and to become pure art. Iconographic painters were no longer specialist.....more

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明吳偉仙蹤侶鶴圖 軸

明吳偉仙蹤侶鶴圖 軸

name was initially Shih-ying, but he later changed it to Tz’u-weng. His sobriquets were Lu-fu.....more

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明唐寅花溪漁隱圖 軸

明唐寅花溪漁隱圖 軸

, Kiangsu province, T’ang Yin’s style names were Tzu-wei and Po-hu; his sobriquet was Liu-ju. He.....more

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明仇氏杜陵內史畫唐人詩意 軸

明仇氏杜陵內史畫唐人詩意 軸

, they were of a delicate beauty that even the ancients would not have been dismayed." Such an accolade.....more

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明文徵明畫蘭竹 軸

明文徵明畫蘭竹 軸

in Kiangnan, which were done in 1547. Thus, this painting may have been completed.....more

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明文徵明倣古山水 軸

明文徵明倣古山水 軸

for ink and brushwork, where the blue and green colors were used mainly to accentuate the overlapping.....more

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明唐寅觀瀑圖 軸

明唐寅觀瀑圖 軸

of human figures, flowers and birds, and landscapes. T’ang Yin’s style-names were Tzu-wei and Po-hu; his.....more

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明文徵明松陰曳杖圖 軸

明文徵明松陰曳杖圖 軸

employed in the rendition of mountains and trees were accomplished through the use of a fine, sharply.....more

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明張宏競渡圖 軸

明張宏競渡圖 軸

. This scene was portrayed as though it were taking place before his very eyes, and thus may be said.....more

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