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符合的藏品

明夏昶清風高節圖 軸

明夏昶清風高節圖 軸

them dance lightly in the air. Hsia Ch’ang (whose style name was Chung-chao and sobriquets were.....more

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明陸復梅花 軸

明陸復梅花 軸

. The background was tinted with a light wash to emphasize and accent the forms, and the petals were dotted.....more

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明邵彌畫蓮華大士像 軸

明邵彌畫蓮華大士像 軸

in landscape painting. His brushwork is elegant and refined. Shao Mi’s paintings were always executed.....more

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明陸治支硎山圖 軸

明陸治支硎山圖 軸

-ho Pavilion, and a temple dedicated to Kuan-yin were built there. Wu school painters often retraced.....more

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明陸治天池石壁 軸

明陸治天池石壁 軸

of Wen Cheng-ming (1470-1559) and Chu Yün-ming (1460-1526), Lu’s paintings were almost as famous.....more

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明孫枝梅花水仙 軸

明孫枝梅花水仙 軸

of the plum tree were rendered with light ink using a fine brush to depict the petals.....more

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明吳彬畫魚籃觀音 軸

明吳彬畫魚籃觀音 軸

religious figures whose forms were eccentric and unconventional. There are two stories concerning.....more

577/643
明施餘澤拜石圖 軸

明施餘澤拜石圖 軸

笏禮拜之。&*Shih Yu-tse, whose style name was P'u-lin, was from Peking. His landscapes were elegant.....more

578/643
明陳洪綬蓮池應化圖 軸

明陳洪綬蓮池應化圖 軸

torted style of his bird-and-flower, insect-and-grass, and landscape painting. His figure paintings were.....more

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明陳洪綬玩菊圖 軸

明陳洪綬玩菊圖 軸

innovative artist of the late Ming and early Ch’ing. His figure and bird-and-flower paintings were.....more

580/643
明唐寅品茶圖 軸

明唐寅品茶圖 軸

are busily occupied with blending tea leaves. The mountains, trees, cottage and figures were all.....more

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明陳洪綬喬松仙壽圖 軸

明陳洪綬喬松仙壽圖 軸

. The composition of this painting is most ingenious. The liues are forcefully drawn throughout and were.....more

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清傳綮寫生 冊 白梅

清傳綮寫生 冊 白梅

converted to Daoism. Most of his paintings were done in a very expressive "sketching ideas" manner, his.....more

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清傳綮寫生 冊 芙蓉

清傳綮寫生 冊 芙蓉

converted to Daoism. Most of his paintings were done in a very expressive “sketching ideas” manner, his.....more

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明唐寅高士圖 卷

明唐寅高士圖 卷

, and Liang Kai. Though the first three sections of the scroll were unfortunately destroyed by fire.....more

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