搜尋:S~ 在 繪畫 分類當中

符合的藏品

明沈周墨菊 軸

明沈周墨菊 軸

executed with great care. The full-bodiedness carries a sinking penetration recalling Sun Ch'ien-li's (T.....more

1216/1372
明李士達瑞蓮圖 軸

明李士達瑞蓮圖 軸

. The artist’s inscription relates that in the fifth lunar month of 1606,he.....more

1217/1372
清王鑑臨王蒙松陰丘壑 軸

清王鑑臨王蒙松陰丘壑 軸

, Kiangsu. An old criticism of Wang Chien’s painting states that his trees are luxuriant.....more

1218/1372
清王翬倣巨然夏山圖 軸

清王翬倣巨然夏山圖 軸

verdant with forests. Small villages and cottages dot the landscape. The master’s brush still.....more

1219/1372
清王翬畫溪山紅樹 軸

清王翬畫溪山紅樹 軸

more than captured the Yüan master’s spirit. The inscription by Yün Shou-p’ing states.....more

1220/1372
清王翬秋林圖 軸

清王翬秋林圖 軸

. The brushwork is fine and strong without a single careless stroke. The style is that of Wang Hui’s.....more

1221/1372
清王翬一梧軒圖 軸

清王翬一梧軒圖 軸

) is in an overseas collection. Wang Hui’s picture is dated in the April of 1673, when he was forty-one.....more

1222/1372
清王原祁雲壑流泉圖 軸

清王原祁雲壑流泉圖 軸

。&*This painting was done expressly for the emperor, as indicated by Wang’s signature, which includes the word.....more

1223/1372
清張庚仿王蒙山水 軸

清張庚仿王蒙山水 軸

of the Yüan dynasty master Wang Meng, and among Chang Keng’s works are also to be found landscapes.....more

1224/1372
宋四家集冊 冊 宋蘇軾書跋語 

宋四家集冊 冊 宋蘇軾書跋語 

, and Yang Ningshi (but he was probably most influenced by Yan’s style). Despite the small characters.....more

1225/1372
元王蒙芝蘭室圖 卷

元王蒙芝蘭室圖 卷

absorbed Chao's methods, and further assimilated the fortes of T'ang and Sung masters, eventually.....more

1226/1372
清沈全墨牡丹 軸

清沈全墨牡丹 軸

。&* Shen Ch’üan’s birth and death dates are unknown, but a late Ch’ing record in Notes from the T’ao.....more

1227/1372
明董其昌臨十七帖 卷

明董其昌臨十七帖 卷

removed from Wang Hsi-chih's dashing and elegant style. &*1.何傳馨,〈明董其昌臨十七帖〉,收入何傳馨編,《書法之美特展圖錄》(臺北:國立故.....more

1228/1372
清余省東籬秀色 軸

清余省東籬秀色 軸

in the ninth year of the Qianlong Emperor’s reign (1744), is in the “sketching from life” tradition.....more

1229/1372
明宣宗坐像(一) 軸

明宣宗坐像(一) 軸

to the drapery lines powerfully rendered, the washes of the facial area emphasizing the sitter's character.....more

1230/1372

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