清王翬一梧軒圖 軸
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- 資料識別：
- 故畫000724N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 王翬
- 主題與關鍵字：
- 齋館 鶴 文玩（琴棋書畫） 蜀葵 奇石 竹 梧桐 傢俱（屏風） 欄杆 池水 庭院 茅草屋 侍從（侍女、童僕） 高士（士人、隱士） 蓮荷 橋 飲食器
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 清聖祖康熙十二年（1673）
- 格式：
- 本幅 104.1x54.2公分、全幅 74公分
- 關聯：
- 石渠寶笈續編（乾清宮），第二冊，頁590&*故宮書畫錄（卷五），第三冊，頁529&*故宮書畫圖錄，第十冊，頁117-118&*1.〈清王翬一梧軒圖〉，收入國立故宮博物院編輯委員會編，《園林名畫特展圖錄》（臺北：國立故宮博物院，1987年十月初版），頁78。 &*王翬（西元一六三二－一七一七年），常熟人，字石谷，號耕煙散人、清暉主人、烏目山人、劍門樵客。山水得王時敏指授，為清四大家之一。 一人憑軒抱琴，軒之左，有鶴鼓翅將舞。軒前一梧高聳，湖石周於軒之四面，花竹掩映，境甚清幽。王蒙原作現存於海外，與此幀筆墨甚似。本幅疑題癸丑暮春，是四十二歲作品。是年作者自吳門遊維揚，與查士標聚首累月，查有詩贈之。 &*Wang Hui was a native of Ch’ang-shu in Kiangsu province. He was already a capable painter in his youth he met Wang Chien and Wang Shin-min who became his teachers. In addition to providing him with thorough instruction in painting, they also took him to view and copy the works of the ancient masters in many great collections. In this way, he was able to absorb the brush techniques of both the past and the present masters. Because Wang Hui was able to unite the best qualities of the Northern and Southern Schools of painting and because of his consummate skill, he became the greatest master of brush technique of the Ch’ing dynasty. Sitting in a pavilion, a scholar rests a lute upon his knees. Outside the window, a crane raises its wings, as though commencing a dance. A tall wu-t’ung tree rises in front to a solitary height and water encircles the retreat. The light and shade of bamboo and flowers enhances the quiet, secluded spot. A very similar composition, with a seal of Wang Meng (1308-1385) is in an overseas collection. Wang Hui’s picture is dated in the April of 1673, when he was forty-one. Later that year he went to Yangchou to spend several months with Ch’a Shih-piao, who presented him with poems to celebrate the visit.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
