搜尋：Artist 在繪畫分類當中

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元盛懋江楓秋艇　卷

as well as figures and birds-and-flowers. In painting the mountains and rocks here, the artist has used.....more

466/738

宋人枇杷猿戲圖　軸

conveys the form, thus showing the artist's skill at composition design. Two gibbons—one sitting quietly.....more

467/738

宋王詵瀛山圖　卷

skiffs emerge and disappear. The artist's inscription at the end of the scroll above a distant peak.....more

468/738

元人天中佳景　軸

於明。&*This painting has neither seal nor signature of the artist. Since the title mentions the Double.....more

469/738

明文嘉畫瀛洲仙侶　軸

&*On the Isles of Immortals Wen Chia (1501-1583) Ming Dynasty Wen Chia, the second son of the noted artist.....more

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明文徵明朱竹　軸

on later Ming art circles. Paintings of bamboo are often done in black ink, but here the artist used.....more

471/738

明居節畫江南春　軸

is very powerful; he employs many angular texture strokes. The artist inscribed two poems entitled.....more

472/738

明朱芾蘆洲聚雁圖　軸

have particularly appreciated his sensitive descriptions of water scenes. According to the artist’s.....more

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明文徵明江南春圖　軸

the artist was seventy-seven, is particularly delicate and refined. Distant mountains are little more t.....more

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明宣宗畫子母雞圖　軸

, it is not authentic; the painting style is also probably by a mid- to late-Ming court artist.&*明宣宗藝事成就，往往與宋徽宗爭勝。但其恤農敏.....more

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明史文玉蟾圖　軸

by Shih Wen survive, this painting shows that he was an exceptional artist of the Che School in the Ming.....more

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明陳洪綬畫梅花山鳥　軸

perch for a wild bird. This unusual bird is more reflective of the artist’s own peculiar style than.....more

477/738

明李士達寒林鍾馗　軸

have been done by a later artist and given an interpolated signature. &*李士達（十六至十七世紀），號仰槐，今江蘇蘇州人。畫兼人物、山水.....more

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清傳綮寫生　冊　白梅

with a style of its own, fully portraying the personal and individual nature of the artist.....more

479/738

唐李昭道洛陽樓圖　軸

or change by a later, perhaps Ming, artist. The signature of Li Chao-tao.....more

480/738

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