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符合的藏品

明張宏畫山水 軸

明張宏畫山水 軸

an archaic mode with excellent use of moist ink. He was also skilled in the realistic portrayal.....more

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清吳歷倣吳鎮山水 軸

清吳歷倣吳鎮山水 軸

the style of Wu Chen (1280-1354). His use of ink is very profound and his brushwork sparse.....more

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清丁觀鵬摹顧愷之洛神 卷

清丁觀鵬摹顧愷之洛神 卷

and the use of gold for outlining reflect a mature gold-and-green landscape.....more

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明呂紀秋渚水禽 軸

明呂紀秋渚水禽 軸

. The combination of meticulous brushwork (kung-pi) with expressive ideas (hsieh-i) and the use of outlining.....more

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明吳彬月令圖 卷

明吳彬月令圖 卷

) Appreciating the Snow. The brushwork, use of ink, and coloring are particularly strong and clear.....more

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明文徵明沈周唐寅仇英便面合裝冊 冊 明唐寅水墨山水

明文徵明沈周唐寅仇英便面合裝冊...

a servant boy carrying books is crossing a stone bridge. The use of brush and ink in the painting.....more

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元人鳩雀先春圖 軸

元人鳩雀先春圖 軸

. The use of mineral colors and white is also extremely deft. 本幅 150.9x31.3公分、全幅 53.2公分 類型:繪畫 型式:靜態圖.....more

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元張舜咨畫樹石 軸

元張舜咨畫樹石 軸

-tzu's use of the brush approaches that of Chao Meng-fu (1245-1322). 本幅 112.5x35公分、全幅 62公分 元順帝至正九年.....more

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明文嘉畫瀛洲仙侶 軸

明文嘉畫瀛洲仙侶 軸

in landscape. In his use of the brush and ink he preferred the harmonious to the beautiful. Wen Chia’s.....more

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清王原祁畫松壑流泉 軸

清王原祁畫松壑流泉 軸

。&*The experienced use of the brush suggests that this painting was done during Wang Yüan-ch’i’s late.....more

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唐人畫雪景 軸

唐人畫雪景 軸

stylistic features of this work are the use of outlines to define the rocks and mountains, and blue.....more

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明呂紀雪岸雙鴻 軸

明呂紀雪岸雙鴻 軸

and the feeling of vitality weak. Also, the use of mist to cover up scenery that should be depicted.....more

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明文嘉仿沈周廬山詩畫 軸

明文嘉仿沈周廬山詩畫 軸

painting is known for its rhythmic quality. His work is characterized by the use of sharp-angled strokes.....more

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明朱先草蟲 軸

明朱先草蟲 軸

, but did not use precise brushwork. He often used a reed or a stalk of wheat as his brush. Nonetheless.....more

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清孫祜秋山樓閣 軸

清孫祜秋山樓閣 軸

, the viewer of this painting may ramble at will or rest. The use of the brush and ink is firm.....more

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