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鏤繪集錦 冊 鶺鴒

鏤繪集錦 冊 鶺鴒

of the shrimp’s body. The result is a moist and luminous quality. Furthermore, there is a copious use of dual.....more

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宋緙絲歲朝花鳥 軸

宋緙絲歲朝花鳥 軸

and uneven. The use of colors is pure and bright, the hues also clear. Brushwork had been added in many.....more

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明花卉畫冊 冊 明陳洪綬花卉

明花卉畫冊 冊 明陳洪綬花卉

, the use of colors is luxuriant as the motifs fill the surface of the painting. Colorful butterflies.....more

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明陸遠摹古 冊 水閣觀流

明陸遠摹古 冊 水閣觀流

light and exquisite individual style in the composition and use of colors. The brushwork throughout.....more

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清唐岱孫祜合倣李唐寒谷先春 軸

清唐岱孫祜合倣李唐寒谷先春 軸

, thus making the depiction full of force with spare use of brushstrokes. 本幅 355x274.5公分、全幅 323公分 清高.....more

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清張照書御製插秧吟 軸

清張照書御製插秧吟 軸

Chen-ch'ing to give his style depth and power. Most of his surviving works reveal the use of dark.....more

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清冷枚賞月圖 軸

清冷枚賞月圖 軸

sits as he appreciates the moon. Leng's use of shading for the figures reveals the influence.....more

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清錢維城夏山欲雨 軸

清錢維城夏山欲雨 軸

used to depict the layered mountains, trees, and rocks, as well as the use of ink, are all stylized.....more

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清張宗蒼畫雪景御題 軸

清張宗蒼畫雪景御題 軸

of mountains is entirely substantial. The use of short brush strokes, dry ink and repeated texture.....more

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五代南唐巨然寒林晚岫圖 軸

五代南唐巨然寒林晚岫圖 軸

江河、湖海 寒林.枯樹 國立故宮博物院 石渠寶笈續編(御書房),第四冊,頁1916&*故宮書畫錄(卷五),第三冊,頁25-26&*故宮書畫圖錄,第一冊,頁97-98&*1.傅申,〈巨然存世畫蹟之比較.....more

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宋郭熙秋山行旅圖 軸

宋郭熙秋山行旅圖 軸

scenery. Furthermore, the compositional arrangement as well as the use of brush and ink in this work.....more

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宋林逋手札二帖 冊 逋奉簡三君

宋林逋手札二帖 冊 逋奉簡三君

are represented by the powerful use of the brush. The tip of the brush has been used frequently.....more

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民國吳湖帆竹石 軸

民國吳湖帆竹石 軸

and a fresh new shoot. The use of brush is strong yet crisp and elegant, producing a harmonious balance.....more

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明惲向仿巨然山水 軸

明惲向仿巨然山水 軸

and elegant use of brush and ink, and the atmosphere is pure and alluring. This painting.....more

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清龔賢春山如沐圖 軸

清龔賢春山如沐圖 軸

of Dong Yuan’s style, transforming ancient methods with a heavy use of ink to create a style of his.....more

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