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清王原祁仿北宋人山水 軸

清王原祁仿北宋人山水 軸

states in his inscription that Wu Chen’s work profoundly attained the untrammeled. If one were able.....more

931/1397
清王原祁畫中有詩圖 軸

清王原祁畫中有詩圖 軸

refinement. Wang’s style is unique, and this is one of his finest works. &*1.江兆申,〈清王原祁畫中有詩圖〉,收入胡賽蘭編,《清王原祁畫山水畫.....more

932/1397
名畫薈萃 冊 宋梁楷山陰書箑圖

名畫薈萃 冊 宋梁楷山陰書箑圖

been described as “abbreviated brushwork”. The subject of this work is an anecdote about China's Sage.....more

933/1397
集古圖繪 冊 元黃公望山水

集古圖繪 冊 元黃公望山水

s type of work with “extremely few texture strokes” and “an abbreviated and remote brush manne.....more

934/1397
集古圖繪 冊 明唐寅秋山

集古圖繪 冊 明唐寅秋山

impressions of autumn’s emptiness and desolation. T’ang Yin used smooth, fine, elongated brush.....more

935/1397
舊畫扇面 冊 明陸治花卉

舊畫扇面 冊 明陸治花卉

The style of this flower printing can be utilized in arranging a chronology for the research of Lu’s.....more

936/1397
明人畫扇 冊 明周之冕梅花

明人畫扇 冊 明周之冕梅花

monochrome ink is abundant and the brushwork powerful. Even the placement of Chou Chih-mien’s signature.....more

937/1397
明人便面畫冊(二) 冊 明陸治蒲草鴛鴦

明人便面畫冊(二) 冊 明陸治...

under such masters as Chu Yün-ming and Wen Cheng-ming. Lu’s painting style was elegant, and his.....more

938/1397
宋四家法書 卷 宋黃庭堅致明叔同年尺牘

宋四家法書 卷 宋黃庭堅致明叔...

script. Huang's brushwork is full of pauses as it meanders, and the forms of the characters lean.....more

939/1397
元趙孟頫書禊帖源流 卷

元趙孟頫書禊帖源流 卷

wrote another inscription. At the end is Zhao’s Letter to Yeweng done at the same time.....more

940/1397
晉王羲之快雪時晴帖 冊

晉王羲之快雪時晴帖 冊

into the lively brushwork of Wang's original. At the twists and turns, even the tip.....more

941/1397
元人雜書 卷 袁桷呈承旨大參相公尺牘

元人雜書 卷 袁桷呈承旨大參相...

. Calligraphy histories record that Yuan's style developed from the styles of the Chin (265-420) and T'ang (618.....more

942/1397
元趙孟頫醉菊圖 卷

元趙孟頫醉菊圖 卷

Chao's. 本幅 30.8x536公分、隔水一 12.9公分、引首 30.8x76公分、隔水二 13公分、隔水三 13公分 元武宗至大二年(1309) 類型:繪畫、書法 型式:靜態圖像、文字 趙.....more

943/1397
明侯懋功倣元人筆意 軸

明侯懋功倣元人筆意 軸

s teacher Wen Cheng-ming. He later turned to the styles of Huang Kung-wang and Wang Meng. His .....more

944/1397
明董其昌霜林秋思 軸

明董其昌霜林秋思 軸

and was the Ming dynasty’s foremost master of semi-cursive script. In landscape painting he followed.....more

945/1397

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