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昇平樂事圖 冊

昇平樂事圖 冊

to have been done by court artists sometime during the Ch’ing dynasty (1644-1911). &*「昇平樂事」為一套有十二幅畫頁之冊子,描.....more

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明文徵明自書詩帖 卷

明文徵明自書詩帖 卷

written in the running and grass scripts are most numerous. It has been said that his running script.....more

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明董其昌臨月儀帖 卷

明董其昌臨月儀帖 卷

was added to it. However, the original calligrapher might also have been a follower of Dong who identified.....more

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明祝允明書七言律詩 卷

明祝允明書七言律詩 卷

, was said to have been able to write large character calligraphy at the tender age of four and compose.....more

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宋元集繪 冊 宋緙絲翠羽秋荷

宋元集繪 冊 宋緙絲翠羽秋荷

effect. No detail of this masterpiece has been overlooked, including the small insect, delicate turning.....more

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鏤繪集錦 冊 鶺鴒紅蓼

鏤繪集錦 冊 鶺鴒紅蓼

as it looks down at shrimp in the water. The weaving here is meticulous as the various motifs have been.....more

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五代梁關仝秋山晚翠 軸

五代梁關仝秋山晚翠 軸

abrupt, suggesting this work may have once been part of a screen remounted later as a hanging scroll.....more

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唐人春郊遊騎圖 軸

唐人春郊遊騎圖 軸

collection, but slightly weaker in terms of brush and ink. It thus may have been done after the same.....more

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宋葉肖巖西湖十景圖 冊

宋葉肖巖西湖十景圖 冊

feeling, and yet much care has been given to counterbalance in composition. In the leaf, Peak Lei.....more

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元人春山圖 軸

元人春山圖 軸

branches, suggesting that it could have actually been painted by Yang himself. The poetry mentions.....more

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宋郭熙寒林圖 軸

宋郭熙寒林圖 軸

personal style. In this painting, traditionally attribute to Kuo Hsi, a cold and snowy forest has been.....more

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宋錢選蘭亭觀鵝圖 卷

宋錢選蘭亭觀鵝圖 卷

of Wang Hsi-chih, the famous Chin Dynasty calligrapher, whose spirited calligraphy is said to have been.....more

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宋劉松年十八學士圖 卷

宋劉松年十八學士圖 卷

composition. The brushstrokes are swift, calculated, and rounded. Monochrome ink tones have been used.....more

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宋江參千里江山圖 卷

宋江參千里江山圖 卷

have been used for everything except the water and sky where "shell blue-green"wash (a mixture.....more

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元人天中佳景 軸

元人天中佳景 軸

'uei. Talismans have their legendary origins with the Yellow Emperor and have been associated.....more

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