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明唐寅層巖策杖圖 軸

明唐寅層巖策杖圖 軸

been rendered with forceful and succinct axe-cut strokes that clearly define the features. &*  唐寅.....more

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明仇英桐陰清話 軸

明仇英桐陰清話 軸

. Along with the Museum’s Whiling Away Summer in the Shade of Plantains, this may have been one of a set.....more

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明唐寅暮春林壑 軸

明唐寅暮春林壑 軸

.” T’ang Yin’s journey of ten years before must have been his trip to the capital to take.....more

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明唐寅江南農事圖 軸

明唐寅江南農事圖 軸

season. Judging from the style of the painting, it could have been done around 1504 when T’ang Yin.....more

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明徐賁廬山讀書圖 軸

明徐賁廬山讀書圖 軸

features have been rendered in art, including both the beauty of its forms and the expressiveness.....more

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明夏昶清風高節圖 軸

明夏昶清風高節圖 軸

翩舞動。 &*Bamboo in the Wind Hsia Ch’ang (1388-1470) Ming Dynasty Both dry and wet ink have been used.....more

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明孫枝梅花水仙 軸

明孫枝梅花水仙 軸

. The painting has been constructed with a sense of space and depth from front to back. The branches.....more

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明沈周畫雪景 軸

明沈周畫雪景 軸

and figures in ink. He has been proclaimed as one of the Four Masters of the Ming dynasty. The earth.....more

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明呂紀荷渚睡鳧 軸

明呂紀荷渚睡鳧 軸

only includes the foreground and middleground, and the background has been omitted. This work bears.....more

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唐玄宗鶺鴒頌 卷

唐玄宗鶺鴒頌 卷

auspicious sign of his benevolent reign and love of his subjects. This composition has been.....more

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元陸繼善摹禊帖 冊

元陸繼善摹禊帖 冊

been dispersed and subsequently reassembled. Expressing joy at its recovery, he copied the Prefac.....more

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清王時敏浮嵐暖翠 軸

清王時敏浮嵐暖翠 軸

mixed with rather heavy glue has been used, so that the color has taken on a thick burnt.....more

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明陳淳寫生 卷

明陳淳寫生 卷

e monochrome ink method. His brushwork is minimalist, yet remarkably expressive. It has been said.....more

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宋人花王圖 軸

宋人花王圖 軸

by a garden lake rock in a proportion that is not very logical, obviously having been done so.....more

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宋人戲貓圖 軸

宋人戲貓圖 軸

ancient times, have been greatly cherished by literati, and artists have often chosen them as subject.....more

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