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明宋旭雲巒秋瀑圖 軸

明宋旭雲巒秋瀑圖 軸

(Chekiang province), his style name was Ch’u-yang and his sobriquet Shih-men. In his later years he became.....more

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唐吳道子寶積賓伽羅佛像 軸

唐吳道子寶積賓伽羅佛像 軸

淺染法,時稱「吳裝」。開後世人物畫典則,被尊稱「百代畫聖」。此像即世所謂北方天王,為盛唐以後最受尊奉之佛像之一。&*Wu Tao-tzu came from Yang-ch'u. He.....more

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明郭純人物 軸

明郭純人物 軸

半葉)風格,工力不弱。屋宇偶有誤筆,蓋不工界畫。 &* Kuo Ch’un (style name Wen-t’ung and sobriquet P’u-an) was a native.....more

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明張瑞圖書後赤壁賦 冊

明張瑞圖書後赤壁賦 冊

四大書家。 張氏用筆多方硬側鋒,筆畫拙重,筆勢多呈橫勢。其字體結構嚴密,排列成狹窄的縱行,行間空白很寬,頗具鮮明個人特色。此卷筆力勁健,轉折尖銳,堪稱新穎奇特。&*Chang Jui-t'u.....more

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明宣宗壺中富貴圖 軸

明宣宗壺中富貴圖 軸

is a seal that reads Hsüan-te pi-ko t’u-shu chih pao (“Hsüan-te Treasure.....more

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明商喜戲貓圖 軸

明商喜戲貓圖 軸

of P’u-yang, Hopei province. His style name was Wei-chi. During the Hsüan-te period (1426-1436.....more

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明張翀畫採芝仙 軸

明張翀畫採芝仙 軸

; and his sobriquet was Nan-t’u. He specialized in paintings of figures, especially ladies, and his.....more

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清關槐黃鶴樓圖 軸

清關槐黃鶴樓圖 軸

falls between that of the painters Hsi Kang and T’u Cho. Although Kuan Huai studied with Tung Kao.....more

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明吳彬畫楞嚴廿五圓通佛像 冊 持提菩薩

明吳彬畫楞嚴廿五圓通佛像 冊 ...

. 1591-1626) Ming Dynasty Wu Pin, style name Wen-chung, sobriquet Chih-hsien, was a native of P'u-t'ien.....more

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明吳彬畫楞嚴廿五圓通佛像 冊 達摩

明吳彬畫楞嚴廿五圓通佛像 冊 ...

。 &*Bodidharma Wu Pin (active 1573-1619) Ming dynasty Wu Pin was a native of P'u-t'ien, Fukien. Residing.....more

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明董其昌書春日行 軸

明董其昌書春日行 軸

, and Tung was known together with Hsing T'ung, Mi Wan-chung and Chang Jui-t'u as the greatest.....more

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清鄒一桂畫秋色 軸

清鄒一桂畫秋色 軸

, and he wrote a manual of painting, Hsiao-shan hua-p’u. Tsou I-kuei has painted a Chinese amaranth.....more

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明董其昌書斯干之什 軸

明董其昌書斯干之什 軸

arvelous and praised as being unparalleled in his times. Hsing T'ung, Mi Wan-chung, and Chang Jui-t'u.....more

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清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

of the Hsiao-shan hua-p’u, a book on painting theory. In flower painting he began by following the “boneless.....more

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清鄒一桂秋塘釣艇圖 軸

清鄒一桂秋塘釣艇圖 軸

of the Hsiao-shan hua-p’u, a manual of painting theory. Although Tsou is best known as a painter.....more

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