明吳彬畫楞嚴廿五圓通佛像 冊 達摩
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- 資料識別：
- 故畫003569N000000025
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 吳彬
- 主題與關鍵字：
- 僧（和尚、尼姑） 奇石 宗教器用
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 62.3x35.3公分、全幅 78x88.8公分
- 關聯：
- 故宮書畫錄（卷八），第四冊，頁141&*故宮書畫圖錄，第二十三冊，頁62-69&*吳彬，生卒年不詳，福建莆田人，流寓金陵，字文仲。神宗萬曆間（一五七三至一六一九）以書畫聞名，畫山水、佛像、人物皆能自立門戶，造型奇異，迥別於前人。 按楞嚴經：佛於楞嚴會上，對菩薩聲聞，問本何法而得圓通，菩薩聲聞，各舉自得之法答之，有二十五理，即六塵、六根、六識、七大。吳彬「畫楞嚴廿五圓通佛像」冊，乃本此而略有更異，其中此開畫趺坐石室內之達摩，便是原記載中所無。達摩與石室之造型，誇大變型，古拙而有奇趣，正表現吳彬不愛臨古，而喜自創新意之作風。 &*Bodidharma Wu Pin (active 1573-1619) Ming dynasty Wu Pin was a native of P'u-t'ien, Fukien. Residing in Nanking, he acquired fame as a calligrapher and painter during the Wan-li reign (1573-1619). Wu Pin painted landscapes, figures and buddhist subjects, establishing individual, unusual styles in each genre. According to the Śurańgama Sũtra, at the Assembly of Śurańgama the Buddha asked each of bodhisattvas and śrãvakas by what means does one attain perfect understanding of Truth. Their answers constitute the twenty-five kinds of perfect understanding, the six gunas (qualities), the six sense-organs, the six vijñana (perceptions and discernings of the organs of sense), and the seven elements (earth, water, fire, wind, space, sight and perception). Wu Pin's album of the twenty-five kinds of understanding differs somewhat from the scriptural account. Bodidharma, for example, the subject of this leaf, is not mentioned in the sũtra. Bodidharma and his stone cavern are painted with exaggerated features, reflecting the individuality and novelty of Wu Pin's approach to painting.
- 管理權：
- 國立故宮博物院
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