搜尋:style 在 水墨 分類當中

符合的藏品

明文嘉巖瀑松濤圖 軸

明文嘉巖瀑松濤圖 軸

。 &*Pines and Waterfall Wen Chia (1501-1583) Ming Dynasty Wen Chia (style name Hsiu-ch’eng.....more

406/1501
明錢穀畫南城看雪 軸

明錢穀畫南城看雪 軸

明畫法,人騎瑟縮,另有朱衣人倚籬觀雪,水天黯黑,白雪遍積山谷,凜凜然有寒意。 &*Ch’ien Ku (style name Shu-pao, self-given sobriquet Ch’ing.....more

407/1501
明文臺香象皈依圖 軸

明文臺香象皈依圖 軸

軀拉長,巨石造形怪異,菩薩衣紋和白象的皮褶又似平行的線條表現,頗具變形之趣。全作筆墨高古,富於變化。 &* Wen T’ai (style name Yün-ch’eng.....more

408/1501
明吳彬畫羅漢 軸

明吳彬畫羅漢 軸

-li era. The style of his landscape, figure, and bird-and-flower paintings was quite innovative.....more

409/1501
明吳彬文杏雙禽圖 軸

明吳彬文杏雙禽圖 軸

to Nanking. His style name was Wen-chung. During the Wan-li reign (1573-1620), he gained fame for his.....more

410/1501
明王紱勘書圖 軸

明王紱勘書圖 軸

書坐於敞軒中。筆法宕逸,墨色濃潤,是畫家即興寫意的佳作。 &*Wang Fu was a native of Wu-hsi, Kiangsu. His style name was Meng-tuan.....more

411/1501
明劉?清白軒圖 軸

明劉?清白軒圖 軸

上人燕樂清白軒中之情景。結構緊密,筆墨溫厚,披麻長皴,濕筆點苔。明四大家之首沈周,即頗受其影響。 &*Liu Chüeh, style name T’ing-mei, sobriquet.....more

412/1501
明謝時臣山陰歸棹圖 軸

明謝時臣山陰歸棹圖 軸

。 &*Hsieh Shih-chen (style name Ssu-chung, sobriquet Shu-hsien) was a native of the Soochow area. A good.....more

413/1501
明鄭石畫芙蓉白鷺 軸

明鄭石畫芙蓉白鷺 軸

style from the Ming court artist Lü Chi. In comparison to Egrets and Hibiscus in Autumn.....more

414/1501
明文徵明聽泉圖 軸

明文徵明聽泉圖 軸

. Although his given name was Pi, he was best known by his style name Cheng-ming; his other style name.....more

415/1501
元任仁發橫琴高士圖 軸

元任仁發橫琴高士圖 軸

面題著「臨松雪道人(趙孟頫)空巖琴思圖」,故此幅也應是源自趙孟頫的稿本。&*Jen Jen-fa was a native of Sungkiang. His tzu (style name.....more

416/1501
明唐寅雙松飛瀑圖 軸

明唐寅雙松飛瀑圖 軸

Waterfalls T’ang Yin (1470-1523) Ming Dynasty T’ang Yin, style name Po-hu, sobriquet Liu-ju.....more

417/1501
明關思放鶴圖 軸

明關思放鶴圖 軸

was a skilled landscape painter whose style was modelled after the earlier artists Fan K’uan, Chao Meng-fu.....more

418/1501
明趙左寒崖積雪 軸

明趙左寒崖積雪 軸

)仲夏十日」,楷書秀逸,甚為難得。 &* Chao Tso (style name Wen-tu) was a native of Hua-t’ing (modern Sungchiang.....more

419/1501
明藍瑛畫溪閣清言 軸

明藍瑛畫溪閣清言 軸

Ying was a native of Chekiang. He established his own style as a painter through exhaustive study.....more

420/1501

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