明文徵明聽泉圖 軸
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- 資料識別：
- 故畫001333N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 文徵明
- 主題與關鍵字：
- 橋 高士（士人、隱士） 溪澗、湍泉
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 64.2x30公分、全幅 53公分
- 關聯：
- 石渠寶笈三編（延春閣），第四冊，頁1926&*故宮書畫錄（卷五），第三冊，頁387-388&*故宮書畫圖錄，第七冊，頁153-154&* 文徵明（西元一四七○－一五五九年），初名壁，後以字行，更字徵仲，號停雲生、衡山居士，長洲（江蘇蘇州）人，詩文書畫並佳，畫師沈周，為明四家之一。五十四歲以歲貢至京，授翰林待詔，與修武宗實錄，後厭倦京師生活，返居故里，專意藝事。 疎林間，一道清泉曲折流過，士人坐林下傾耳聽泉，樹林隱約於淡煙之中。本幅筆墨清逸靈秀，有筆簡意遠的趣味。 &*Listening to the Waterfall Wen Cheng-ming (1470-1559) Ming Dynasty Wen Cheng-ming was a native of Ch’ang-chou in Kiangsu province. Although his given name was Pi, he was best known by his style name Cheng-ming; his other style name is Cheng-chung, and sobriquet Heng-shan chü-shih. Wen excelled in the literati arts of poetry, prose, calligraphy and painting. He studied painting with Shen Chou (1427-1509) and later became one of the Four Masters of the Ming. When he was 54, he was recommended to the Emperor and appointed to the Hanlin Academy as a painter-in-attendance, and consequently also participated in editing the Wu-tsung shih-li (Records of Emperor Wu-tsung). When he tired of official life, Wen returned to his homeland, where he spent the rest of his life creating artworks. A clear stream winds through a sparse grove of trees. Beneath them, a gentleman sits with ear inclined, listening raptly to the sounds of the water. Amidst a light mist, the trees are indistinct. This painting exhibits refined and elegant brushwork, which though terse and abbreviated, has been effectively manipulated to produce an evokative and atmospheric scene. &*1.江兆申，〈文徵明聽泉圖 軸〉，收入國立故宮博物院編，《吳派畫九十年展》（臺北：國立故宮博物院，1975年初版，1976年再版，1981年三版），頁293。
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
