搜尋:ink 在 水墨 分類當中

符合的藏品

明宣宗書畫合璧 冊

明宣宗書畫合璧 冊

“boneless” washes with “sketching ideas,” the major parts lined with dark ink. The dry branches.....more

136/710
明沈周寫生 冊 荷花與蹲蛙

明沈周寫生 冊 荷花與蹲蛙

in monochrome ink. This is the 4th leaf from Shen Chou’s Sketches from Life, which was done in 1494.....more

137/710
明沈周寫生 冊 白鴿

明沈周寫生 冊 白鴿

. In this painting, Shen Chou has used monochrome ink to depict a specimen of a rare breed of pigeon.....more

138/710
明陳淳畫山水 冊

明陳淳畫山水 冊

, painting landscapes with directness and wet ink in his own manner. He also studied under the master.....more

139/710
明陳洪綬雜畫 冊 紅杏

明陳洪綬雜畫 冊 紅杏

techniques to express an interest in archaic and distorted shapes. Dry brushwork and light ink were.....more

140/710
明尤求書閣早梅 軸

明尤求書閣早梅 軸

is simple but strong, and the colors, which have been blended with ink, are thick and elegant.....more

141/710
清王原祁倣米芾雲山 軸

清王原祁倣米芾雲山 軸

his brush and thaw his ink before he could paint. Consequently the ink appears slightly congealed.....more

142/710
清王原祁倣王蒙山水 軸

清王原祁倣王蒙山水 軸

the mountains, Wang Yűan-ch’i used a slanting brushstroke and ink dabs, with occasional light ink.....more

143/710
清蔣廷錫桂花 軸

清蔣廷錫桂花 軸

and untrammelled. Chiang occasionally depicted “broken-branch” flowers and rocks in monochrome ink.....more

144/710
明程嘉燧秋溪疊嶂 軸

明程嘉燧秋溪疊嶂 軸

the bank in this work done with moist ink. This work, as with others by the Nine Friends, was much.....more

145/710
清禹之鼎山水 軸

清禹之鼎山水 軸

of Yüan painter Wang Meng, was painted when he was 59 years old. In the use of the brush and ink.....more

146/710
清弘?畫千林瑞雪 軸

清弘?畫千林瑞雪 軸

with a deep snow. The surface of the painting is radiant, the peaks dotted lightly with white ink. The use.....more

147/710
清王原祁畫山水 冊 仿米氏雲山

清王原祁畫山水 冊 仿米氏雲山

and thaw his ink before he could paint. Consequently the ink appears slightly congealed. Wang Yűan-ch’i.....more

148/710
明董其昌秋林晚翠 卷

明董其昌秋林晚翠 卷

trees rendered mostly with horizontal strokes in light and dark ink. Behind the trees and emerging.....more

149/710
清惲向秋亭嘉樹圖 軸

清惲向秋亭嘉樹圖 軸

modeled after the masters Tung Yüan and Chü-jan. He used ink sparingly in his later works so.....more

150/710

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