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宋元集繪 冊 元倪瓚竹枝

宋元集繪 冊 元倪瓚竹枝

;n-lin. His family was wealthy and possessed a fine collection of paintings and calligraphy. He.....more

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花卉畫冊 冊 明孫克弘芙蓉

花卉畫冊 冊 明孫克弘芙蓉

ün-chih, sobriquet Hsüeh-chü), a native of Sung-chiang (modern Shanghai), possessed.....more

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明人畫扇 冊 明陸治荷塘結夏

明人畫扇 冊 明陸治荷塘結夏

excelled at poetry, classical prose, calligraphy and painting. He was a close friend of Chu Yün.....more

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明人畫扇集冊貳冊 (下) 冊 明陸治海棠

明人畫扇集冊貳冊 (下) 冊 明...

was a student of such artistic luminaries as Chu Yün-ming (1460-1526) and Wen Cheng-ming (1470-1559.....more

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明陸治蔡羽書畫合璧 冊 虎丘圖

明陸治蔡羽書畫合璧 冊 虎丘圖

was a student of such artistic luminaries as Chu Yün-ming (1460-1526) and Wen Cheng-ming (1470.....more

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明欽揖摹古 冊 墨梅

明欽揖摹古 冊 墨梅

’in I followed the calligraphic styles of Ou-yang Hsün (557-641) and Ch’u Sui-liang (596-658). His.....more

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宋仁宗后坐像 軸

宋仁宗后坐像 軸

of the Nan-hsün Hall at the Ch'ing dynasty court. The lifelike rendering of both the likeness.....more

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清余省畫墨妙珠林 (子)  冊 穀雨一候牡丹

清余省畫墨妙珠林 (子)  冊 穀...

, and orchids and bamboo. His father and younger brother, Yü Hsün and Yü Chih, were both.....more

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清馬元馭畫花卉 冊 桑椹蠶蛾

清馬元馭畫花卉 冊 桑椹蠶蛾

and flowers. Early in life, he studied under Yün Shou-p’ing. Later he discussed the six principles.....more

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清永瑆臨御筆九成宮醴泉銘 軸

清永瑆臨御筆九成宮醴泉銘 軸

brushwork. In his early years he followed Chao Meng-fu’s style but later turned to Ou-yang Hsün’s.....more

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清周璕畫馬 軸

清周璕畫馬 軸

茂。樹下畫一馬,有轡無鞍,漫步於草原。畫馬先勾勒,染以赭墨,然後用輕煤罩染,故黑潤而有光澤。 &* Chou Hsün, style name K’un-lai, was a native.....more

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清丁觀鵬畫文殊像 軸

清丁觀鵬畫文殊像 軸

the style of the late Ming master Ting Yün-p’eng but added washes to faces and Western painting methods.....more

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清鄒一桂畫墨梅 軸

清鄒一桂畫墨梅 軸

Secretariat. He began to paint flowers and plants in the style of Yün Shou-p’ing, but because the ideas.....more

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清錢維城畫豫省白雲寺圖 軸

清錢維城畫豫省白雲寺圖 軸

emperor conducted an imperial inspection of the Honan area. Passing by the Pai-yün Temple, built.....more

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清馬元馭花卉 冊 牡丹

清馬元馭花卉 冊 牡丹

received the personal instruction of Yün Shou-p’ing and discussed the six principles of painting.....more

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