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明陸治蔡羽書畫合璧 冊 虎丘圖

明陸治蔡羽書畫合璧 冊 虎丘圖

was a student of such artistic luminaries as Chu Yün-ming (1460-1526) and Wen Cheng-ming (1470.....more

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明蔣嵩歸漁圖 軸

明蔣嵩歸漁圖 軸

well. This painting was donated to the Museum by Mr. Huang Chün-pi. &*1.〈明蔣嵩歸漁圖〉,收入陳階晉、賴毓芝主編,《追.....more

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明汪肇淵明愛菊圖 軸

明汪肇淵明愛菊圖 軸

) and Wu Wei (1459-1508). He described his brushwork as “wavy clouds (hai-yün)”, a term he also.....more

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清周凱青鐙課讀圖 軸

清周凱青鐙課讀圖 軸

’ing Dynasty Chou K’ai (style name Chung-li, sobriquet Yün-kao) was a native of Fu-yang.....more

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元張雨書七言律詩 軸

元張雨書七言律詩 軸

and bolder side. The manner of Ouyang Hsün is sometimes seen, but the characters appear to have been.....more

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元倪瓚脩竹圖 軸

元倪瓚脩竹圖 軸

Tsan was a native of Kiangsu. One of his hao (sobriquets) was Yün-lin. Genteel and pure, he.....more

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元倪瓚楓落吳江圖 軸

元倪瓚楓落吳江圖 軸

ün-lin, or Cloud Forest, and Yü-weng, or Daft Old Man. 本幅 94.3x48.8公分、全幅 69.6公分 元順帝至正二十六年.....more

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宋李唐畫四時山水 冊 江舟釣雪

宋李唐畫四時山水 冊 江舟釣雪

in the methodology of Li Ssu-hsün, Li T’ang went to create his own style, and became the greatest of the four.....more

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元郭畀寫高使君意 軸

元郭畀寫高使君意 軸

ün-shan) was from Tan-t'u, Kiangsu. He served as a provincial-level official in Kiangsu.....more

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明鄭重畫釋迦牟尼佛 軸

明鄭重畫釋迦牟尼佛 軸

, and always fasted and bathed to purify himself before taking up his brush. Ting Yün-p’eng praised.....more

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明文臺香象皈依圖 軸

明文臺香象皈依圖 軸

軀拉長,巨石造形怪異,菩薩衣紋和白象的皮褶又似平行的線條表現,頗具變形之趣。全作筆墨高古,富於變化。 &* Wen T’ai (style name Yün-ch’eng.....more

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明莫是龍東岡草堂圖 軸

明莫是龍東岡草堂圖 軸

stone once held by Mi Fei came into his possession, and he took his style name, Yün-ch’ing, from.....more

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明吳彬畫羅漢 軸

明吳彬畫羅漢 軸

pervades the archaic style that complements the manner of Ting Yün-p’eng. The inscription here.....more

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元曹知白貞松白雪軒圖 軸

元曹知白貞松白雪軒圖 軸

間,飾以苔點,疏林深秀,天真平淡。&*Ts'ao Chih-po (style name Yu—hsüan; sobriquet Yün-hsi) was a native.....more

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元倪瓚遠岫樹石圖 軸

元倪瓚遠岫樹石圖 軸

;an-chen, hao Yün-lin) came from Wu-hsi in Kiangsu province. He was known for his pure.....more

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