明人畫扇集冊貳冊 (下) 冊 明陸治海棠
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- 資料識別：
- 故畫003535N000000003
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 陸治
- 主題與關鍵字：
- 海棠（木）
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 18.3x53公分、全幅 30x57.5公分
- 關聯：
- 石渠寶笈初編（重華宮），下冊，頁730&*故宮書畫錄（卷八），第四冊，頁164&* 陸治（西元一四九六－一五七六年），江蘇蘇州人。字叔平，住在包山，因號包山子。以孝友著稱，好為詩及古文辭，善行楷，尤通繪事，遊祝允明、文徵明之門。其於繪畫，力求出奇致勝。工寫生，點染花鳥竹石亦頗能傳神，是明代有名的畫家。 畫木本海棠。凡畫花卉不論工緻寫意，落筆有如布棋，俱以得勢為主，取勢以枝梗為先，本幅雖僅三枝，但自有一份生動之意，是穿插得宜所致，設色亦古雅。 本幅為「明人畫扇集冊－下」冊第三開。 &*Lu Chih was a native of Soochow, Kiangsu province. His style name was Shu-p’ing; his sobriquet was Pao-shan-tzu. He was famous for his filial piety and loyal friendship. An accomplished poet, writer, painter and calligrapher, he was a student of such artistic luminaries as Chu Yün-ming (1460-1526) and Wen Cheng-ming (1470-1559). In his paintings he gave full play to his idiosyncratic style. He excelled at drawing from life, and his flower-and-bird and bamboo-and-rock paintings show a great sense of animation. Lu became a well-known Ming dynasty painter. When depicting a crab-apple tree, whether employing the kung-pi (meticulous depiction) or hsieh-i (impressionistic sketch) method, the composition of such a flower painting resembles the deployment of go-game pieces. Of primary importance is to establish a proper stance, which in painting relies on the positioning of the branches. Although there are only three branches in the painting, there is still a sense of vitality which serves to further the quality of the piece. The application of color is antique and elegant. This is the third leaf from A Collection of Fan Paintings by Ming Artists, vol. II.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
