搜尋:C?A? 在 水墨 分類當中

符合的藏品

元趙孟頫醉菊圖 卷

元趙孟頫醉菊圖 卷

of chrysanthemums and wine was also a favorite subject of later painters. A Chao Meng-fu signature appears.....more

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明沈周墨菊 軸

明沈周墨菊 軸

t was not until the early Yüan Dynasty (1279-1368) that such painters as Ch’ien Hsüan and Chao.....more

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明沈周畫郭索圖 軸

明沈周畫郭索圖 軸

八十歲左右,亦不能確定成於何時。&*Crab Shen Chou (1427-1509) Ming dynasty The single crab, grasping grain in its.....more

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明李士達坐聽松風圖 軸

明李士達坐聽松風圖 軸

are an open stove with a yellowish clay teapot, a red lacquered tea saucer, white ceramic teacups.....more

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明丁雲鵬白馬馱經圖 軸

明丁雲鵬白馬馱經圖 軸

also studied under Chan Ching-feng. The artist-critic Tung Ch'i-ch'ang praised his poetry.....more

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明項聖謨畫蘆雁 軸

明項聖謨畫蘆雁 軸

included those of the Song and Yuan masters, making him the most gifted painter in the Xiang clan.....more

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清王鑑倣趙孟頫茂林蕭寺圖 軸

清王鑑倣趙孟頫茂林蕭寺圖 軸

and sepias further enliven the ink tones. This painting, a copy of Chao Meng-fu’s “Temple in a Lush.....more

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清王鑑倣倪瓚山水 軸

清王鑑倣倪瓚山水 軸

-1677) was a native of T’ai-ts’ang, Kiangsu. His style name was Yüan-chao; his sobriquet.....more

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清王鑑倣趙孟頫山水 軸

清王鑑倣趙孟頫山水 軸

。 &*Wang Chien (style name, Yüan-chao; sobriquet, Hsiang-pi) called himself Jan-hsiang an-chu.....more

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清王翬倣李營丘江干七樹圖 軸

清王翬倣李營丘江干七樹圖 軸

. With the supple brushwork, only the “crab-claw” branches at the left reveal the Li CH’eng and Kuo.....more

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清吳歷梅花山館 軸

清吳歷梅花山館 軸

white. According to Wu Li’s inscription, the work is in the style of the 14th-century artist Chao Meng.....more

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清禹之鼎山水 軸

清禹之鼎山水 軸

in Kiangsu. His style name was Shang-chi, his sobriquet Shen-chai. During the K’ang-hsi period (1622.....more

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清王原祁?浮遠岫圖 軸

清王原祁?浮遠岫圖 軸

compiled the Pei-wen-chai shu-hua pu, an annotated catalogue of calligraphy and painting. He also took.....more

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清王原祁仿王蒙夏日山居圖 軸

清王原祁仿王蒙夏日山居圖 軸

as an imperial connoisseur of painting and calligraphy. He was a compiling editor of the P’ei-wen-chai shu.....more

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清弘?翠巘高秋圖 軸

清弘?翠巘高秋圖 軸

曾未見,精神真欲逼思翁(董其昌)。(童文娥)&* Hung Wu, whose style names were Shu-chai and Ts’ui-yü; sobriquets I-ju.....more

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