明沈周扁舟詩思圖 軸

明沈周扁舟詩思圖 軸

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資料識別:
故畫000441N000000000
資料類型:
類型:繪畫
型式:靜態圖像
著作者:
沈周(Shen Zhou)
主題與關鍵字:
秋景 寒林.枯樹 竹 篷舟 亭 高士(士人、隱士) 江河、湖海
出版者:
數位化執行單位:國立故宮博物院
格式:
本幅 124x62.9公分、全幅 93.6公分
關聯:
石渠寶笈三編(延春閣),第四冊,頁1787&*故宮書畫錄(卷五),第三冊,頁320&*故宮書畫圖錄,第六冊,頁215-216&*1.江兆申,〈沈周扁舟詩思圖 軸〉,收入國立故宮博物院編,《吳派畫九十年展》(臺北:國立故宮博物院,1975年初版,1976年再版,1981年三版),頁297。 2.杜書華,〈明沈周扁舟詩思圖〉,《故宮文物月刊》,第7期(1983年10月),封底。 &*沈周(1427-1509),江蘇長洲人。字啟南,號石田,又號白石翁。為人寬厚有大度。能詩文,工書法,又擅長畫山水,以及水墨花卉果蔬、翎毛走獸。為明四大家之首。河岸之中,坡陀起伏,林木參差,一人乘小舟尋幽覓句,入於叢葦深處,後方茅亭微露一角,景趣幽深。兩岸山石皆用短披麻皴,側筆中鋒,運筆起伏有韻致,烘染墨色蒼潤,甚為靈動。近景數樹,木葉已將脫盡,杈枒歧出的枯枝,呈現出秋日荒率的氣息。畫意與詩題頗相契合。本幅作者雖沒有署年款,不過從畫風和書風觀察,約為沈氏六十歲(1487)左右的作品。如以書法為例,畫上的題識與本院藏弘治二年己酉(1489)的〈秋景山水〉扇相對比,可以察覺兩幅題款的書法甚為逼似。(許郭璜)&* 沈周(西元一四二七-一五0六年),江蘇長洲(今江蘇蘇州)人。字啟南,號石田,又號白石翁。為人寬厚有大度,能詩文,工書法,又善山水,並兼工墨畫花果、翎毛等,為明四大家之一。 本幅畫河坌中坡陀起伏,林木參差。一人小舟徜徉波際,叢葦深處,茅亭微露一角。生紙淡設色,用筆短促而有力。雖然未署年款,不過從此畫的風格觀之,似為沈氏五十三至六十歲之間的作品。 &*Shen Chou, a native of Soochow, was skilled at poetry, prose, calligraphy, and landscape painting. He also painted fruits and vegetables, birds, and other animals in monochrome ink. He was one of the Four Great Masters of the Ming. A river extends back into the distance as spits of land and small hills sprout up behind. Trees and shrubs are scattered about. A small covered boat floats leisurely from bank to bank. Thick reeds are in the foreground, and the corner of a thatched pavilion is visible to the left. Shen Chou used light colors and ink on unsized paper. His brushwork, composed of short, dense strokes, is strong. This painting bears no date, but the styles suggest it was done between the ages of 52 and 59. &*沈周(1427-1506),長洲(今江蘇蘇州)人。字啟南,號石田,又號白石翁。為人寬厚有大度,能詩文,工書法,又善山水,並兼工墨畫花果、翎毛等,為明四大家之一。  河岸之中,陂陀起伏,林木參差。一人乘小舟徜徉波際,叢葦深處,茅亭微露一角。生紙淡設色,用筆短促而有力。烘染墨色蒼潤,甚為靈動。雖然本幅未署年款,不過從此畫的風格特徵來看,似為沈氏五十三至六十歲之間的作品。 (20110913)&*Shen Zhou (style name Qi’nan; sobriquets Shitian and Baishiweng), a native of Changzhou (modern Suzhou, Jiangsu), was known for his magnanimous character. He was skilled at poetry, prose, calligraphy, and painting, especially landscapes. He also depicted fruits and vegetables as well as birds and other animals in monochrome ink, being known as one of the Four Ming Masters. A river extends back into the distance as spits of land and small hills sprout up from behind. Trees and shrubs are scattered about, and a figure in a small covered boat floats leisurely from bank to bank. Thick reeds are in the foreground, and the corner of a thatched pavilion is visible to the left. Shen Zhou used light colors and ink on unsized paper. His brushwork, composed of short and dense strokes, is strong, and the washes of ink are moist and hoary for a very spirited quality. This painting bears no dated signature, but the style suggests it was done by Shen between the ages of 53 and 60. (20110913)
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